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Updated: June 11, 2025


The masters, however, had no sympathy for the good lad; masters prefer bright fellows, eccentric spirits, droll or fiery, or else gloomy and deeply reflective, which argue future talent. Everything about Pierre Grassou smacked of mediocrity. Grassou of Fougeres resembled his name.

At the beginning of the month of December of that year, a season at which the bourgeois of Paris conceive, periodically, the burlesque idea of perpetuating their forms and figures already too bulky in themselves, Pierre Grassou, who had risen early, prepared his palette, and lighted his stove, was eating a roll steeped in milk, and waiting till the frost on his windows had melted sufficiently to let the full light in.

During this sitting there were little skirmishes between the family and the painter, who had the audacity to call pere Vervelle witty. This flattery brought the family on the double-quick to the heart of the artist; he gave a drawing to the daughter, and a sketch to the mother. "What! for nothing?" they said. Pierre Grassou could not help smiling.

"You artists," he continued, "want emotions, great scenes, and witty talk; but you'll find good wines, and I rely on my collection of pictures to compensate an artist like you for the bore of dining with mere merchants." This form of idolatry, which stroked his innocent self-love, was charming to our poor Pierre Grassou, so little accustomed to such compliments.

I was saying to Grassou only yesterday: 'What comforts me in the midst of my trials is that I have such a good mother. She is all that an artist's wife should be; she sees to everything; she takes care of my material wants without ever troubling or worrying me." "No, Joseph, no; you have loved me, but I have not returned you love for love.

This Salon of 1829 was to Pierre Grassou his whole fortune, fame, future, and life. Be original, invent, and you die by inches; copy, imitate, and you'll live.

As Grassou took a creditable part on the occasion of the riots of May 12th he was appointed an officer of the Legion of honor. He is a major in the National Guard. The Museum of Versailles felt it incumbent to order a battle-piece of so excellent a citizen, who thereupon walked about Paris to meet his old comrades and have the happiness of saying to them:

To play him a trick, Joseph, when he heard his knock, put the copy, which was varnished with a special glaze of his own, in place of the original, and put the original on his easel. Pierre Grassou was completely taken in; and then amazed and delighted at Joseph's success. "Do you think it will deceive old Magus?" he said to Joseph. "We shall see," answered the latter.

The pure country air wafted to the nostrils a most enticing smell of cooking. All things about the mansion seemed to say: "We have a great artist among us." Little old Vervelle himself rolled like an apple through his park, the daughter meandered like an eel, the mother followed with dignified step. These three beings never let go for one moment of Pierre Grassou for seven hours.

The mother thought only of her son; she herself counted for nothing; sustained by love, she was unaware of her sufferings. D'Arthez, Michel Chrestien, Fulgence Ridal, Pierre Grassou, and Bianchon often kept Joseph company, and she heard them talking art in a low voice in a corner of her room.

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