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"Aren't you what the bromides call a bundle of nerves? And isn't Von Gerhard's specialty untying just those knots? I'll write to him to-night." And he did. And Von Gerhard came. The Spalpeens watched for him, their noses flattened against the window-pane, for it was raining. As he came up the path they burst out of the door to meet him.

He placed something in the man's palm something that caused a sudden whisking away of empty dishes, and many obsequious bows. Von Gerhard's face was turned away from me, toward the beauty of the lake and sky. Now, as the last flirt of the waiter's apron vanished around the corner he turned his head slowly, and I saw that in his eyes which made me catch my breath with apprehension. "What is it?"

The rush of cool air fanned my hot forehead, tousled my hair, slid down between my collar and the back of my neck, and I was grandly content. "Even though you are going to sail away, and even though you have the grumps, and refuse to talk, and scowl like a jabberwock, this is an extremely nice world. You can't spoil it." "Behute!" Von Gerhard's tone was solemn.

Whenever I flower into a descriptive passage I glance nervously over my shoulder, expecting to find Norberg stationed behind me, scissors and blue pencil in hand. Consequently the book, thus far, sounds very much like a police reporter's story of a fire four minutes before the paper is due to go to press." Von Gerhard's face was unsmiling. "So," he said, slowly. "You burn the candle at both ends.

A man's figure rose from the shadows of the porch and came forward to meet us as we swung up to the curbing. I stifled a scream in my throat. As I shrank back into the seat I heard the quick intake of Von Gerhard's breath as he leaned forward to peer into the darkness. A sick dread came upon me.

Von Gerhard's face was a painful red. I think that the hand on my shoulder even shook me a little, there on that bleak and deserted lake drive. I tried to wrench my shoulder free with a jerk. "You are hurting me!" I cried. A quiver of pain passed over the face that I had thought so calmly unemotional. "You talk of hurts! You, who set out deliberately and maliciously to make me suffer!

The following description of one of Gerhard's most capital pictures, for a long time in the possession of the family of Van Hoek, at Amsterdam, will serve to give a good idea of his method of treating his subjects. The picture is much larger than his usual size, being three feet long by two feet six inches wide, inside the frame.

The room is flooded with it. Those roses sweet! sweet! When I awoke it was morning. During the days that followed I looked back gratefully upon that night, with its moonlight, and its roses, and its great peace. Two days before the date set for Von Gerhard's departure the book was finished, typed, re-read, packed, and sent away.

So I was astonished to find that self-praise in Gerhard's mouth was not objectionable; in fact, it actually suited him. Gerhard often talked of what a pleasure it was to go out in the evenings and enjoy one's self what the devil did it matter what old people said? and listen to women singing amusements which his hearer could not manage to picture very clearly to himself.

"Good-night, Herr Doktor," I said, "and thank you, not only for myself, but for her. I have felt what she feels to-night. It is not a pleasant thing to be ashamed of one's husband." Von Gerhard's two hands closed over that one of mine. "Dawn, you will let me help you to find comfortable quarters? You cannot tramp about from place to place all the week.