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Updated: June 28, 2025


The moonlight fell, with racing cloud-shadows, upon sea and hills, the lights of Lerici, the great fanali at the entrance of the gulf, and Francesco's upturned handsome face.

They made a mock of his remonstrances, and when he emulated Francesco's methods, addressing them with sharp ferocity, and dubbing them beasts and swine, they caught the false ring of his fierceness, which was as unlike the true as the ring of lead is unlike that of silver.

He lay tired and quiet, with closed eyes, knowing how Peter and the other disreputable forsaken outcast sat together huddled on the floor through the dim night, till the dawn looked palely in and showed them both fallen asleep, Peter's head resting on Francesco's yellow back.

He bluntly told Cappoccio that he and his comrades had allowed Messer Francesco's glib tongue to befool them that morning, and that the assurances Francesco had given them were not worthy of an intelligent man's consideration. "I tell you, Cappoccio," he ended, "that to remain here and protract this hopeless resistance will cost you your life at the unsavoury hands of the hangman.

"Behold," announced Peppino gravely, "Italy's latest translation of the Golden Ass of Apuleius." Upon seeing the noble niece of Guidobaldo kneeling there with Francesco's head still pillowed in her lap, the new-comer cast up his arms in a gesture of dismay. "Saints in Heaven!" he exclaimed, hurrying towards them. "What occupation have you found? Who is this ugly fellow?"

Now there was then in the same town a young man called Ricciardo, of little family, but very rich, who still went so quaintly clad and so brave of his person that he was commonly known as Il Zima, and he had long in vain loved and courted Messer Francesco's wife, who was exceeding fair and very virtuous.

Not that he was by nature wholly a coward; but inspired by a wholesome fear of the man who could perform such a miracle of strength, he remained out of Francesco's reach, well in the middle of that square basin, and lustily roared orders to his men to tear the fellow to pieces.

For now Francesco was behaving oddly. The fool was returned from the errand on which he had been despatched, and Francesco called him to his side. Lowering his sword he received a paper from Peppe's hand. Burning with indignation at having gone unheeded, Gonzaga stood gnawing his lip, whilst Valentina craned forward to catch Francesco's words.

With that he asked how soon he might be permitted to leave the castle. "Why, at once, now that I have your word," answered Francesco readily, whereat treachery gleamed from Gian Maria's eye, to be swiftly quenched by Francesco's next words. "But lest your men and mine should come to trouble with one another, you will order yours to come forth without arms or armour, and you will depose your own.

In Florence Granacci painted for Pier Francesco Borgherini a scene in oils on the head-board of a couch which stood in an apartment wherein Jacopo da Pontormo, Andrea del Sarto, and Francesco Ubertini had painted many stories from the life of Joseph, in Pier Francesco's house in Borgo Sant' Apostolo; and in this scene were little figures representing a story of the same Joseph, executed with extraordinary finish and with great charm and beauty of colouring, and a building in perspective, wherein he depicted Joseph ministering to Pharaoh, which could not be more beautiful in any part.

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