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Updated: June 5, 2025
Nicky, unskilled in everything but the inventing and building up of engines, did not know how perfect the drawings were, any more than he knew the value of the extraordinary pictures that hung on the walls and stood on the easels in her studio; but he did know that, from the moment when he took Desmond into his adventure, he and his Idea were dependent on her. He didn't care. He liked Desmond.
Even before the accustomed hour the big barnlike room, with a few prize pictures of former classes scattered about the walls, and with the old academy easels standing about like a caravan of patient camels ever loaded with new burdens but ever traveling the same ancient sands of art even before nine o'clock the barnlike room presented a scene of eager healthy animal spirits.
Here is the artist himself improvising, grim and glad, at his block. Now one thought strikes him, now another, and with each moment he alters the whole air, attitude and expression of his clay. Away with your nonsense of oil and easels, of marble and chisels; except to open your eyes to the masteries of eternal art, they are hypocritical rubbish.
Shadows lurked in the corners, the ribs of the roof were faintly outlined; on the sombre walls gleams of color, faces of loveliness and faces of pain, studies all of a mood or a passion, bits of shining brass, reflections from lustred ware struggling out of obscurity; hangings from Fez or Tetuan, bits of embroidery, costumes in silk and in velvet, still having the aroma of balls a hundred years ago, the faint perfume of a scented society of ladies and gallants; a skeleton scarcely less fantastic than the draped wooden model near it; heavy rugs of Daghestan and Persia, making the footfalls soundless on the floor; a fountain tinkling in a thicket of japonicas and azaleas; the stems of palmettoes, with their branches waving in the obscurity overhead; points of light here and there where a shaded lamp shone on a single red rose in a blue Granada vase on a toppling stand, or on a mass of jonquils in a barbarous pot of Chanak-Kallessi; tacked here and there on walls and hangings, colored memoranda of Capri and of the North Woods, the armor of knights, trophies of small-arms, crossed swords of the Union and the Confederacy, easels, paints, and palettes, and rows of canvases leaning against the wall-the studied litter, in short, of a successful artist, whose surroundings contribute to the popular conception of his genius.
"The mill might as well be without water as without Marie," said the Sculptor. "Wait until you taste her baked trout the chef at the Voisin is a fool beside her." We had all shaken the dear woman's hand how and had preceded her into the square hall filled with easels, fresh canvases, paintings hung on hooks to dry, pots of brushes, rain coats, sample racks of hats, and the like.
The gentleman had not iron-grey hair, and he was not dressed in the least like a Quaker, unless a loose, brown lounge coat tossed on anyhow over a waistcoat and trousers of the same colour is the costume of a shiny Quaker. But it was the room you asked me to describe. There were pictures on the walls, and there were two easels, and on one of them I saw a picture.
He had seen the young artists, fretting for want of subjects, wandering the world over in search of an object fitted to their genius, setting up their easels in front of the marvels of nature and of art, in the expectation that genius would descend upon them. If they could find something big enough to paint!
But scanty light illuminated the studio from one oil lamp which hung by a chain from a bracket in the wall, and the rays of which were much dimmed by a red glass shade. Some easels, mostly empty, stood about the sides of the great chamber; here and there on the white walls were sketches in charcoal and daubs of paint.
No wonder then that all his life he remembered that particular night, when a slender, dark-haired man in loose gray clothes sauntered into the class- room and moved around among the easels, giving a suggestion here and a word of praise there, for that was the night on which Professor Cummings touched our young hero's shoulder and said: "Mr. Gifford likes your drawing very much, Mr.
He has been well taught. His technique is good and he has genius. Gentlemen, I have the honor to present to you Monsieur Cuthbert Hartington, who is henceforth one of you." The students crowded round the pictures with exclamations of surprise and admiration. It was not until M. Goudé said sharply "to work," that they returned to their easels.
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