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"I made the alterations one afternoon, and wrote to Dumas, and what do you think, by return of post I had a letter from him saying he could not consent to the production of a one-act piece, signed by him, at the Variétés, because his son was then giving a five-act piece at the Gymnase." Then came a string of indecent witticisms by Suzanne Lagier and Dejazet.

Rachel was alive, but dying; the memory of Mademoiselle Mars, at her latest, was still in the air; Mademoiselle Georges, a massive, a monstrous antique, had withal returned for a season to the stage; but we missed her, as we missed Déjazet and Frédéric Lemâitre and Mélingue and Samson; to say nothing of others of the age before the flood taking for the flood that actual high tide of the outer barbarian presence, the general alien and polyglot, in stalls and boxes, which I remember to have heard Gustave Flaubert lament as the ruin of the theatre through the assumption of judgeship by a bench to whom the very values of the speech of author and actor were virtually closed, or at the best uncertain.

"I made the alterations one afternoon, and wrote to Dumas, and what do you think, by return of post I had a letter from him saying he could not consent to the production of a one-act piece, signed by him, at the Variétés, because his son was then giving a five-act piece at the Gymnase." Then came a string of indecent witticisms by Suzanne Lagier and Dejazet.

Above the second story, the mystery ceases. All the upper rooms, the price of which is relatively modest, are occupied by tenants who may be seen and heard, clerks like Maxence, shop-girls from the neighborhood, a few restaurant-waiters, and sometimes some poor devil of an actor or chorus-singer from the Theatre Dejazet, the Circus, or the Chateau d'Eau.

Heloise played the very devil to get me into the country, and I have found out the purpose of her game; she wanted me out of the way while she gave a house-warming in the Rue Chauchat, with some artists, and players, and writers. She took me in! But I can forgive her, for Heloise amuses me. She is a Dejazet under a bushel. What a character the hussy is!

Ravel are very clever in their respective parts, Sainville is not less so; then amongst their first rate actresses they have Dejazet, who has been highly appreciated in London, Mlle Pernon, young, talented, and pretty, and Mlle Fargueil, handsome, and though youthful, already an excellent actress. The pit is only 1 fr. 5 sous, from which it rises to 5 fr. for the best seats.

For the rest, you will play the part to heart's content, I know. . . . And how good it will be to see you again, and make my wife see you too she who "never saw a great actress" she says unless it was Dejazet! . . . Mrs. Browning writes about the performance, April 12: . . . I am beginning to be anxious about 'Colombe's Birthday'. I care much more about it than Robert does.

Heloise played the very devil to get me into the country, and I have found out the purpose of her game; she wanted me out of the way while she gave a house-warming in the Rue Chauchat, with some artists, and players, and writers. She took me in! But I can forgive her, for Heloise amuses me. She is a Dejazet under a bushel. What a character the hussy is!

Receiving that cold and dignified response, Gazonal, in despair, thought it necessary to set about seducing the charming Jenny, with whom he was by this time in love. Leon de Lora and Bixiou left their victim in the hands of that most roguish and frolicsome member of the anomalous society, for Jenny Cadine is the sole rival in that respect of the famous Dejazet.

With them came Dejazet, then nearly seventy, who had played before Buonaparte. Almost every night there was dancing. Sometimes the Emperor would walk through a quadrille, but as a rule he would retire with one of his ministers, though only to a smaller boudoir at the end of the suite, where a couple of whist-tables were ready for the more sedate of the party.