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"Perhaps we ought to be happy," answered the fairy, gravely, "for we have wonderful powers and do much to assist you helpless mortals. And I suppose some of us really are happy. But, for my part, I am so utterly tired of a fairy life that I would do anything to change it." "That is strange," declared Berna. "You seem very young to be already discontented with your lot."
But the short life of men and the bitterness of various accidents, which threaten them from all sides, snatch them from us sometimes prematurely, as could be seen in poor young Berna of Siena, who, although he died young, nevertheless left so many works that he appears to have lived very long; and those that he left were made in such a way, that it may well be believed from this showing that he would have become excellent and rare if he had not died so soon.
To avoid the possibility of collusion, M. Dubois drew up the following conditions: " That M. Berna should maintain the most perfect silence, and should receive from the hands of the Commissioners papers, on which should be written the parts to be deprived of motion and sensibility, and that M. Berna should let them know when he had done it by closing one of his eyes, that they might verify it.
After this work, then, Berna painted a great Crucifix in a chapel of the Vescovado of Arezzo for Messer Guccio di Vanni Tarlati da Pietramala, and at the foot of the Cross a Madonna, S. John the Evangelist, and S. Francis, in most sorrowful attitudes, together with a S. Michelagnolo, with so much diligence that it merits no small praise, and above all by reason of having been so well preserved that it appears made only yesterday.
After a careful examination of all the evidence, they decided, as Messieurs Bailly and Franklin had done in 1784, that the touchings, imagination, and the force of imitation would account satisfactorily for all the phenomena; that the supposed Mesmeric fluid would not; that M. Berna, the magnetiser, laboured under a delusion; and that the facts brought under their notice were anything but conclusive in favour of the doctrine of Animal Magnetism, and could have no relation either with physiology or with therapeutics.
The sword that had done such good service he held lightly in his hand, and the horse now and then neighed softly and turned to look at him with affectionate eyes. Seseley began to tremble with excitement, and Berna and Helda stared at the prince with big round eyes. But, after all, they saw nothing so remarkable as they expected.
This same Red Rogue it was who had drawn the good Baron Merd into a quarrel and afterward slain the old knight and his followers, destroyed his castle, and carried his little daughter Seseley and her girl friends, Berna and Helda, into captivity, shutting them up in his own gloomy castle.
And because, besides what has been said, Berna was passing dexterous in draughtsmanship and was the first who began to portray animals well, as bears witness a drawing by his hand that is in our book, all full of wild beasts of diverse sorts, he deserves to be consummately praised and to have his name held in honour by craftsmen.
Beside the said youth was a friar painted in a very fine attitude, and, in short, everything in that work is so vividly wrought that it appears, indeed, that in this work Berna imagined this event as most horrible, as it must be, and full of most bitter and cruel terror, seeing that he portrayed it so well with the brush that the same scene appearing in reality would not stir greater emotion.
M. Berna then began to magnetise her with all his force, that he might sublimate her into the stage of extreme lucidity, and effectually transfer the power of vision to her occiput. She was interrogated as to what she could see. She hesitated; appeared to struggle with herself, and at last said she saw a card. "But what do you see on the card?"
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