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Updated: June 13, 2025
It was first fixed in print in the "Cornhill Magazine", being my first appearance in a serial of any kind; and I have lived long enough to see it guyed most agreeably by Mr. Max Beerbohm in a volume of parodies entitled "A Christmas Garland," where I found myself in very good company. I was immensely gratified. I began to believe in my public existence. I have much to thank "The Lagoon" for.
Look here Soames, you know me better than to suppose that I After all, the name Max Beerbohm is not at all an uncommon one, and there must be several Enoch Soameses running around, or, rather, Enoch Soames is a name that might occur to any one writing a story. And I don't write stories; I'm an essayist, an observer, a recorder. I admit that it's an extraordinary coincidence. But you must see "
He was, I am certain, thoroughly enjoying himself, unconsciously of course, but with that immense thrilled enjoyment all leading figures at leading moments must have: Sir Galahad, humbly glorying in his perfect achievement of negations; Parsifal, engulfed in an ecstasy of humble gloating over his own worthiness as he holds up the Grail high above bowed, adoring heads; Beerbohm Tree I can't get away from theatrical analogies coming before the curtain on his most successful first night, meek with happiness.
But if a man begins to talk like oneself, but all the syllables come out different, then if one is a man one feels inclined to laugh, though if one is a gentleman one resists the inclination. Mr. Max Beerbohm, I remember, professed to understand the first two forms of popular wit, but said that the third quite stumped him. He could not see why there should be anything funny about bad cheese.
I remember that Mr. He divided them into three sections: jokes about bodily humiliation, jokes about things alien, such as foreigners, and jokes about bad cheese. Mr. Max Beerbohm thought he understood the first two forms; but I am not sure that he did. In order to understand vulgar humour it is not enough to be humorous. One must also be vulgar, as I am.
And I 've got a whole bagful of books, to read in the train Anatole France, and Shakespeare, and Gyp, and Pierre Loti, and Molière, and Max Beerbohm, and everybody: all the books the Baronessa would have died a thousand deaths rather than let me look at.
I think he was aware he was playing a part; his sofa was his stage; and he lay there theatrical as Leo XI. or Beerbohm Tree, saying that the Roman Church was an artistic church, that its rich externality and ceremonial were pagan. But I think he knew even then, at the back of his mind, that I was right; that is why he pressed me to give reasons for my preference.
It was first fixed in print in the Cornhill Magazine, being my first appearance in a serial of any kind; and I have lived long enough to see it most agreeably guyed by Mr. Max Beerbohm in a volume of parodies entitled "A Christmas Garland," where I found myself in very good company. I was immensely gratified. I began to believe in my public existence. I have much to thank The Lagoon for.
He seldom demonstrates his power by passing Acts of Parliament or organising garden parties. He figures less often in the Social and Personal columns than Sir H. Beerbohm Tree. He is not so well known in the law courts as Mr. Horatio Bottomley.
Beerbohm, as will be seen from the page headed Personalia, was born in London, August 24, 1872. In searching the files of the Times I naturally looked for other remarkable occurrences on that date. There was only one worth recording. On the day upon which Mr.
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