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Updated: June 9, 2025
In this connection there is an anecdote narrated by Baudelaire, in the Echo des Theatres of the 25th of August 1846, and referable to the year 1839.
Baudelaire was right those plates, the Paris set, so dramatic and truthful in particulars, could have been sold if Meryon, with his wolfish visage, his fierce, haggard eyes, his gruff manner, had not offered them in person. He looked like a vagabond very often and too often acted like a brigand. The Salon juries were prejudiced against his work because of his legend. Verlaine over again!
He had that curious love of green, which in individuals is always the sign of a subtle artistic temperament, and in nations is said to denote a laxity, if not a decadence of morals. Like Baudelaire he was extremely fond of cats, and with Gautier, he was fascinated by that 'sweet marble monster' of both sexes that we can still see at Florence and in the Louvre.
I am not sure that she knows much about Shakespeare, but her appreciation of Baudelaire is exquisite. I don't think she is naturally very cruel, but she can plead convincingly the cause of vivisection. Miss Doran " Spence interrupted him with a burst of laughter. "All which, my dear fellow, simply means that you " Mallard, in his turn, interrupted gruffly.
The record is, indeed, a splendid one which contains, in poetry and drama, the names of Villon, Ronsard, Corneille, Molière, Racine, La Fontaine, Chénier, Lamartine, Hugo, Vigny, Gautier, Baudelaire, Verlaine; and in prose those of Froissart, Rabelais, Montaigne, Pascal, Bossuet, La Rochefoucauld, La Bruyère, Montesquieu, Saint-Simon, Voltaire, Diderot, Rousseau, Chateaubriand, Balzac, Flaubert, and Maupassant.
Baudelaire stands apart as a great poet who was an equally great critic, as intuitive, as daring, as decisively and immediately right in aesthetic judgment as an artistic creation. And even with Baudelaire as one's guide one sometimes needs to walk by faith. In the baroque church of St.
Stupid men that they are, they believe us good for nothing but to catch rats; we, the wise, the meditative, the independent, who have slept upon the prophet's sleeve, and lulled his ear with the whir of our mysterious wheel! Pass your hand over our backs full of electric sparkles we allow you this liberty, and say to Charles Baudelaire that he must write a fine sonnet, deploring our woes."
The idea that Satan would gamble for a human soul is of mediaeval origin and may have been taken by Baudelaire from Gérard de Nerval, who in his mystery play Le Prince des Sots has the devil play at dice with an angel, with human souls as stakes. As a dice-player Satan resembles Wuotan. Mr. H. G. Wells in The Undying Fire has Diabolus play chess with the Deity in Heaven.
My personal acquaintance with Champfleury, which followed, brought me face to face with a very simple and in a certain sense easy-tempered individual, such as one seldom meets, and belonging to a type of Frenchman fast becoming extinct. The advances made me by the poet Baudelaire were in their way still more significant.
It took years before Baudelaire could persuade the Parisians that Poe did not spell his name "Edgard Poë." And we remember the fate of Liszt and Whistler, who were until recently known in Paris as "Litz" and "Whistler." With the aid of Champfleury and Banville, Baudelaire tried to bring Meryon's art to the cognisance of the Minister of Beaux-Arts, but to no avail. Why?
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