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Don't it make your mouth water? Reminds me of a chap I wonst read about in a trac'. It tole 'ow 'e took to booze. One 'ot Sunday, bein' out for a walk, 'e swiped 'arf a pint of ginger beer, the next 'e tried shandy-gaff, the third 'e went the whole hog, an' then 'e never stopped for ten years. My godfather! Ten years' pay an' a ten years' drunk! It's enough to make a sinner of any man."
En one day he up'n tole Mars Walker he got sump'n pertickler fer ter say ter 'im; en he tuk Mars Walker off ter one side, en tole 'im he wuz gwine ter show 'im a place in de swamp whar dey wuz a whole trac' er Ian' covered wid ham-trees.
You kin use dat er trac' o' lan' an' make it wuth sunthin' ter our people, an' I can't. So, yer sees, I'll jes be a-doin' my sheer, an' I'll allus t'ink, when I hears how yer's gittin' along an' a-doin' good, dat I'se a pardner wid ye in de wuk o' gibbin' light ter our people, so dat dey'll know how ter be free an' keep free forebber an' ebber. Amen!"
En I want yer all ter treat Dave des lack yer did befo' dis thing happen', en mine w'at he preach ter yer; fer Dave is a good nigger, en has had a hard row ter hoe. En de fus' one I ketch sayin' anythin' 'g'in' Dave, I'll tell Mister Walker ter gin 'im forty. Now take ernudder drink er cider all roun', en den git at dat cotton, fer I wanter git dat Persimmon Hill trac' all pick' ober ter-day.
Before she was due to go on, she walked up and down literally snorting like a war-horse, occasionally bursting into a short scale, and then beating her breast and saying, "Mon Dieu, que j'ai le trac," which, being interpreted, means, approximately, "My God, but I have got the wind up!" I sat in a corner with my violin and gazed at her in wonder.
I knew already that I had been elected the favourite, and the idea of this chilled me with terror, for I am what is known as a traqueuse. I am subject to the trac or stage fright, and I have it terribly. When I first appeared on the stage I was timid, but I never had this trac. I used to turn as red as a poppy when I happened to meet the eye of some spectator.
"I dunno 'bout dat, suh. It mought cos' mo', en it mought cos' less, ez fuh ez money is consarned. I ain' denyin' you could cl'ar up dat trac' er Ian' fer a hund'ed er a couple er hund'ed dollahs, ef you wants ter cl'ar it up. But ef dat 'uz my trac' er Ian', I would n' 'sturb it, no, suh, I would n'; sho 's you bawn, I would n'." "But why not?" I asked.
I was ashamed of talking so loud before so many silent people. That was the effect of my cloistered life, but I had no feeling of fear. The first time I ever had the real sensation of trac or stage fright was in the month of January 1869, at the seventh or perhaps the eighth performance of Le Passant.
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