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Updated: June 4, 2025


Could we imagine a far other lost spirit than Farinata degli Uberti's endowed with Farinata's might of will, and transferred from the sepulchres of fire to the dykes of Malebolge, we might conceive something of Iago's attitude in hell of his unalterable and indomitable posture for all eternity.

Iago begged pardon for having moved him; but Othello, assuming an indifference, while he was really shaken with inward grief at Iago's words, begged him to go on, which Iago did with many apologies, as if unwilling to produce anything against Cassio, whom he called his friend.

Iago begged pardon for having moved him; but Othello, assuming an indifference, while he was really shaken with inward grief at Iago's words, begged him to go on, which Iago did with many apologies, as if unwilling to produce anything against Cassio, whom he called his friend: he then came strongly to the point, and reminded Othello how Desdemona had refused many suitable matches of her own clime and complexion, and had married him, a Moor, which showed unnatural in her, and proved her to have a headstrong will; and when her better judgment returned, how probable it was she should fall upon comparing Othello with the fine forms and clear white complexions of the young Italians her countrymen.

We'll go to the Kaiserin Elisabeth, and submit to any sort of imposition they've a mind to practise upon us. I shall not breathe freely, I suppose, till we get into Italy, where people mean what they say. Haw, haw, haw!" laughed the colonel, "honest Iago's the man I'm after." The doors of the waiting-room were thrown open, and cries of "Erste Klasse! Zweite Klasse!

It is not much use to remark on "the uncolloquial vocabulary of the speakers." Iago's vocabulary is not colloquial when he says: "Not poppy nor mandragora Nor all the drowsy syrups of the world Shall ever medicine thee to that sweet sleep That thou ow'dst yesterday." Borrow is not describing Gypsy life but the "dream" of his own early life.

Iago's evidence, thinks Coleridge, was so strong that Othello could not have done otherwise; but would he have acted in war on evidence equally weak? How mad Iago is with all his cunning! What a fool! Had he been anything but the maddest fool, he would have seen that in the end his plans must break down. Intellect?

Iago hated Cassio, and he hated Othello, as well for favouring Cassio, as for an unjust suspicion, which he had lightly taken up against Othello, that the Moor was too fond of Iago's wife Emilia. From these imaginary provocations, the plotting mind of Iago conceived a horrid scheme of revenge, which should involve both Cassio, the Moor, and Desdemona, in one common ruin.

"You see, Rita," he stammered, "there will be there might there may be don't you know, Rita?" "No, I don't know, Dic. Why are you so mysterious? What others who oh!" And she hid her face upon his breast, while her arms stole gently about his neck. "You see," remarked Dic, speaking softly to the black waves of lustrous hair, "I must take Iago's advice and put money in my purse.

No description, in fact, can do justice to the perfect consistency and harmony of his conception, or to the marvelous delicacy of his points, which are yet as penetrating as they are subtle, and which never fail of their effect, whether rendered by a gesture whose power of expression seems to make words superfluous, as when in reply to Iago's hypocritically sympathetic "I see this has a little dashed your spirits," which is answered in the play by "Not a jot, not a jot," Salvini tries to speak, but chokes with the words, and lifting his hand with a motion of denial and deprecation, tells us what he would fain say, but cannot; or by an intonation of voice, as when in answer to Iago's "You would be satisfied?" he replies, marking the difference between conditional and imperative with a tone that would of itself betray him born to command

You thus read in the newspapers that the persons who murder their sweethearts are generally from two to six and twenty; and persons who murder from other motives than love that is, from revenge, avarice, or ambition are generally about twenty-eight, Iago's age. Twenty-eight is the usual close of the active season for getting rid of one's fellow-creatures; a prize-fighter falls off after that age.

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