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Updated: June 4, 2025


I do not think Morris, however, could have belonged to this tribe, though perhaps Othello did, which would at once settle the difficulties of those commentators who, abiding by Iago's very disagreeable suggestions as to his purely African appearance, are painfully compelled to forego the mitigation of supposing him a Moor and not a negro.

The conference ended with Iago's begging Othello to account his wife innocent, until he had more decisive proof; and Othello promised to be patient: but from that moment the deceived Othello never tasted content of mind. Poppy, nor the juice of mandragora, nor all the sleeping potions in the world, could ever again restore to him that sweet rest, which he had enjoyed but yesterday.

The conference ended with Iago's begging Othello to account his wife innocent, until he had more decisive proof; and Othello promised to be patient; but from that moment the deceived Othello never tasted content of mind. Poppy, nor the juice of mandragora, nor all the sleeping potions in the world, could ever again restore to him that sweet rest, which he had enjoyed but yesterday.

He no more thought, God forgive him! that the admired original would ever be charged with the imaginary vices of the fictitious creature, than he has himself ever thought of charging the blood of Desdemona and Othello, on the innocent Academy model who sat for Iago's leg in the picture.

If it be a morbid suspicion, having no ground in fact, a mental obsession, then Iago becomes abnormal and consequently more or less irresponsible. But this suggestion of Emilia's faithlessness made in the early part of the play is never followed up by the dramatist, and the spectator is left in complete uncertainty as to whether there be any truth or not in Iago's suspicion.

This time was to be at the death of the man and his wife who had the property for their lifetime. Philip, you have been accused by the Conlow-Judson crowd of wanting a rich wife. I also am called grasping by Tell Mapleson's class. And," he smiled a little, "indeed, Iago's advice to Roderigo, 'Put money in thy purse, was sound philosophy if the putting be honestly done.

Othello gives his wife, Desdemona, a rare handkerchief. Iago urges his own wife, who is Desdemona's maid, to pilfer this and bring it to him. When he gets it, he leaves it in Cassio's room. Cassio was an intimate friend of Othello's, one, indeed, who had gone with him when he went to woo Desdemona, and who, by Iago's machinations, had been suspended from his office of Othello's chief lieutenant.

Iago hated Cassio, and he hated Othello, as well for favouring Cassio, as for an unjust suspicion, which he had lightly taken up against Othello that the Moor was too fond of Iago's wife Emilia. From these imaginary provocations, the plotting mind of Iago conceived a horrid scheme of revenge, which should involve both Cassio, the Moor, and Desdemona, in one common ruin.

The thought of it he describes as "gnawing his inwards." Emilia's conversation with Desdemona in the last act lends some colour to the correctness of Iago's belief. If this belief be well-founded it must greatly modify his character as a purely wanton and mischievous criminal, a supreme villain, and lower correspondingly the character of Othello as an honourable and high-minded man.

Then follows the scene in which Othello smites down Desdemona. She supplicates for mercy in an aria of tender beauty, which leads up to a strong sextet. All the guests depart but Iago; and as Othello, overcome with his emotions, swoons away, the curtain falls upon Iago's contemptuous utterance, "There lies the lion of Venice." The fourth act is full of musical beauty.

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