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Updated: May 6, 2025
One finds it difficult to understand how ever the thing came to be tolerated by musicians. Of course the desire to find a counter-blast to Wagner has done much for Verdi; but while one can understand how Dr. Stanford and others hoped to sweep away "Parsifal" with "Otello" and "Falstaff," it is not so easy to see what on earth they proposed to do with "Traviata."
They made as great a furore among the musical public of that day as would an opera from Gounod or Verdi in the present. The principal airs were sung throughout the land, and published as harpsichord pieces; for in these halcyon days of our composers the whole atmosphere of the land was full of the flavor and color of Handel.
Verdi would tolerate her briefly and then swipe her in the nose. Woof would yelp and jump back, feelings hurt. Verdi would leap to a windowsill and ignore her. Oliver stayed away from Suzanne, although he badly wanted to talk to her. He could have gotten out of the hospital Christmas party if he had made an effort. He didn't.
She had made her début seven years before, and was a singer of dramatic fire and vocal splendour, we are told. Her enthusiasm for Verdi's work not only fastened the claim of operatic art upon him, but won his interest in her charms also, and Verdi and she were soon joined in an alliance, which after some years was legalised and churched.
The Euphrates at its junction with the Khabour, 700 miles above Kurnah, is 400 yards wide and 18 feet deep; at Irzah or Verdi, 75 miles lower down, it is 350 yards wide and of the same depth; at Hadiseh, 140 miles below Werdi, it is 300 yards wide, and still of the same depth; at Hit, 50 miles below Hadiseh, its width has increased to 350 yards, but its depth has diminished to 16 feet; at Felujiah, 75 miles from Hit, the depth is 20 feet, but the width has diminished to 250 yards.
"La Traviata," as all the world knows, is based upon the book and drama, "La Dame aux Camelias," by the younger Dumas, known to Americans and Englishmen as "Camille." The original book appeared in 1848, the play in 1852. Verdi witnessed a performance of the play when it was new.
When the day of the party came, Jennifer was happy to stay home with Emma, Woof, and Verdi. Oliver put on a warm jacket and drove to the hospital where he passed a slow two hours exchanging glances with Suzanne. Various employees made speeches, and her uncle presented awards. Dan's daughters were a hit playing a fiddle and accordion medley of dance tunes and Christmas carols.
"I believe you are all great Wagnerites in Boston?" "I'm a very bad Bostonian, Mrs. Mandel. I suspect myself of preferring Verdi," March answered. Miss Dryfoos looked down at her fan again, and said, "I like 'Trovatore' the best." "It's an opera I never get tired of," said March, and Mrs. March and Mrs: Mandel exchanged a smile of compassion for his simplicity.
The toilets are by Worth; the beauties are coiffed by the deft fingers of Parisian tiring-women; the men wear the penitential garb of Poole; the music is by Gounod and Verdi; Strauss inspires the rushing waltzes, and the married people walk through the quadrilles to the measures of Blue Beard and Fair Helen, so suggestive of conjugal rights and duties.
Circumstances wholly fortuitous give a strong tinge of antiquity and nationalism to the last scene; but, if the ancient Egyptians were more addicted than any other people to burying malefactors alive, the fact is not of record; and the picture as we have it in the opera was not conceived by Mariette Bey, but by Verdi while working hand in hand with the original author of the libretto, which, though designed for an Italian performance, was first written in French prose.
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