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Updated: June 28, 2025


She was running through the scores of the standard operas "La Traviata," "Il Trovatore," "Martha" but as the week wore along she stopped singing again and Denver saw her down among the sycamores.

He played the serenade from `Trovatore' and the familiar notes brought back visions of old days and old delights, when the successful writer wore good clothes and sat at operas, when he looked into sweet eyes and talked of Italian airs, when his future appeared all a succession of bright scenery and joyous acts, without any provision for a drop-curtain.

Whistling softly an air from "Il Trovatore," he rubbed some orange-flower water on his chin and cheeks; then taking a fresh handkerchief, dabbed several drops on the two little noses that waited upon him weekly in expectation of this fragrant boon. He was rewarded by a few satisfactory kisses. "Now run away and help mother coach leaves at nine forty-five pre-cisely.

Shortly afterward he had gone to town on the Fourth of July, been drunk for several days, lost his money at a faro table, ridden a saddled Texan steer on a bet, and disappeared with a fractured collarbone. All this my aunt told me huskily, wanderingly, as though she were talking in the weak lapses of illness. "Well, we have come to better things than the old Trovatore at any rate, Aunt Georgie?"

It soon started again, and with a voice not quite so firm as before, but more tender, the old song came back: "Bye! bye! bye!" which meant more to you than "Il Trovatore," rendered by opera troupe in the presence of an American audience, all leaning forward and nodding to show how well they understood Italian.

Verdi's "Ernani," "Rigoletto," and "Trovatore," with Donnizetti's "Lucia" or "Favorita" or "Lucrezia," and Auber's "Massaniello," or Rossini's "William Tell" and "Gazza Ladra," were among my special enjoyments. I heard Alboni every time she sang in New York and vicinity also Grisi, the tenor Mario, and the baritone Badiali, the finest in the world. This musical passion follow'd my theatrical one.

The only Italian opera I've sung is 'Norma. Do you know it?" "Yes." "I've sung Leonore not in 'Trovatore, in 'Fidelio." "But surely you admire 'Trovatore' the 'Miserere, for instance. Is not that beautiful?" "It is no doubt very effective, but it is considered very common now." Evelyn hummed snatches of the opera; then the waltz from "Traviata." "I've sung Margaret." "Ah."

"Do you put down what their names are, and what they do, and how they make mistakes, and take the wrong young lady to see Norma, and Faust and Il Trovatore? Il Trovatore's a nice opera; Theo and Leonora sounds something like Theodora. It doesn't sound anything like Priscilla, does it? The devil fly away with Priscilla, I say. Priscilla isn't musical, is it, Leonora?"

"Il Trovatore" was stupendously successful; "La Traviata" made a woful failure. Verdi seems to have been fully cognizant of the causes which worked together to produce the fiasco, though he was disinclined at the time to discuss them. Immediately after the first representation he wrote to Muzio: "'La Traviata' last night a failure. Was the fault mine or the singers'? Time will tell."

Nature slept in an exhausted repose after the fierce turmoil, while under the unsteady hand of the statesman of Sambir the Trovatore fitfully wept, wailed, and bade good-bye to his Leonore again and again in a mournful round of tearful and endless iteration.

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