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Updated: June 28, 2025


She suggested a good woman struggling through flames to achieve safety. When she played from Il Trovatore you did not think of a conservatory, but of a prison. She stopped after a time and the color swiftly receded from her cheeks. "I'm afraid I've been rather in earnest," she said apologetically. "I haven't played on a good piano for quite a long time."

In order to form an honest opinion of the company at my disposal, I now had to attend several performances of such operas as La Favorita, Il Trovatore, and Semiramis, on which occasions my inner conviction told me so clearly that I was being hopelessly led astray, that each time I reached home I felt I must renounce the whole enterprise.

And this question leads to another consideration of still more importance to the real interests of Art. What music, what operas shall we hear? So far, it has been the same old story, the same hackneyed round of "Norma," and "Lucia," and "Lucrezia Borgia," and "Ernani," and "Trovatore," and so on, with once or twice the ever genial and sparkling "Il Barbiere."

She overworked herself here continually, loathing the strain of teaching, yet clinging to it with a tenacity born of the knowledge that it was her only means of support. Both her parents were dead; she was dependent upon herself. Her one ambition was to see Italy and the Bay of Naples. The "Marble Faun," Raphael's "Madonnas" and "Il Trovatore" were her beau ideals of literature and art.

Mill, senior, explained that while sitting in his study at midnight on the date named he had heard the Gipsy song from "Il Trovatore," which had been a favourite of his boy's, and being unable to trace the origin of the music, had finally thought that it was a freak of his imagination.

But in place of the voices came old sights of home again, the waving trees at Aranhal; then would be Rachel for a moment, declaiming tragedy while a houseful of faces that he knew by name watched her; and through all the panorama rang the pleasant laugh of Gaston. For a while in the evening the padre sat at his Erard playing "Trovatore."

He was humming to himself that song she heard an hour ago in Il Trovatore, that song of passion and love and tragedy. It sent a wave of fresh feeling over her. She could not go on could not face him, and say what she must say. She turned and passed swiftly from the room, leaving the door open, and hurried down the staircase. Eglington heard now, and wheeled round.

Two years afterward were brought out at Rome and Venice respectively two operas, stamped with the same salient qualities, "Il Trovatore" and "La Traviata," the last a lyric adaptation of Dumas fils's "Dame aux Camélias." These three operas have generally been considered his masterpieces, though it is more than possible that the riper judgment of the future will not sustain this claim.

There was a momentary flash of red head, as of a passing meteor. The next moment, he had fallen on his back with a thud that shook the house. Even in the crisis, the thought flashed across Jimmy's mind that this was not Spike's lucky night. Upstairs, the efforts of the canine choir had begun to resemble the "A che la morte" duet in "Il Trovatore."

This necessity is recognized not only by lecturers, but by all the great masters of poetry, fiction and music. Wilhelm Tell is best known by its overture and what could be more solemn and impressive than the opening bars of "El Miserere" in Verdi's "Il Trovatore."

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