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The book has probably been read as much by grown-ups as by young people, and no work of humour is more heartily to be commended as a banisher of care. The original illustrations by Sir John Tenniel are almost as famous as the book itself. I. What Happened Down the Rabbit-Hole
A little girl of mine, who found herself face to face with these cats one day in his room, was quite startled by them, and has since expressed the opinion that Sir John Tenniel ought to have seen them before he drew the Cheshire cat for 'Alice in Wonderland. For my own part I can imagine the laughter and the jeers of M. Zola's artistic friends when those choice specimens of British art are shown to them in Paris.
But, indeed, I need the pencil of Granville or Tenniel to make you see the two gilt valets on the opposite side of the table putting the monster down before our friends, with a smiling, self-satisfied, benevolent obsequiousness for this ghastly monster was the flower of all comestibles old Peter clasping both hands in pious admiration of it; Margaret wheeling round with horror-stricken eyes and her hand on Gerard's shoulder, squeaking and pinching; his face of unwise delight at being pinched, the grizzly brute glaring sulkily on all, and the guests grinning from ear to ear.
During the years 1862–3 various translations of his appeared in Once a Week, a magazine that then numbered amongst its contributors such writers as Harriet Martineau and S. Baring-Gould, and artists as Leech, Keene, Tenniel, Millais and Du Maurier.
Linley Sambourne and Harry Furniss, so different from each other and from Tenniel, have also, since then, brought their great originality and their unrivalled skill to the political illustrations of Punch Sambourne to the illustration of many other things in it besides, but which do not strictly belong to the present subject.
Leslie Stephen was my only old acquaintance in person; but Du Maurier and Tenniel I have met in my weekly "Punch" for many a year; Mr. Lang, Mr. Oliphant, Mr. Townsend, we all know through their writings; Mr. Burne-Jones and Mr. Alma Tadema, through the frequent reproductions of their works in engravings, as well as by their paintings.
And lips that, with a whisper, could loosen the coursing slips of the wild hell-dogs of war, murmured love to a princess, led the laugh at a supper at five in the morning, or smiled over their own caricatures done by Tenniel or Cham. Baden was full.
Leslie Stephen was my only old acquaintance in person; but Du Maurier and Tenniel I have met in my weekly "Punch" for many a year; Mr. Lang, Mr. Oliphant, Mr. Townsend, we all know through their writings; Mr. Burne-Jones and Mr. Alma Tadema, through the frequent reproductions of their works in engravings, as well as by their paintings.
She was always seeing that vision of Rosalie in the blue frock among them, rather like Alice, the real Alice, Tenniel's Alice. She was always feeling that Rosalie, thus guised, was held off from their circle, not welcomed, not understood, as certainly they did not care for the demure, quaint Alice of Tenniel.
"It is," he writes, "with the appearance of Frederick Sandys, Rossetti, Walker, Pinwell, A. Boyd, Houghton, Small, du Maurier, Keene, Crane, Leighton, Millais, and Tenniel, with the publication of the Cornhill, Once a Week, Good Words, The Shilling Magazine, and such books as Moxon's Tennyson that the best period of English illustration begins."
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