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With admiration let us behold the Countess de Saldar alighting on the gravel sweep of Beckley Court, the footman and butler of the enemy bowing obsequious welcome to the most potent visitor Beckley Court has ever yet embraced.

'My dearest Rose! and 'My dear Countess! and 'Not Louisa, then? and, 'I am very glad to see you! without attempting the endearing Louisa'- passed. The Countess de Saldar then admitted the presence of her brother. 'Think ! said Rose. 'He talks of going on straight from here to London.

A venerable butler most impressive! led the way. In future, my dear, let it be de Saldar de Sancorvo. That is our title by rights, and it may as well be so in England. English Countess is certainly best. Always put the de. But let us be systematic, as my poor Silva says. He would be in the way here, and had better not come till I see something he can do. Silva has great reliance upon me.

But not the Countess de Saldar, scaling the embattled fortress of Society; nor Rose, tossing its keys to her lover from the shining turret-tops; nor Evan, keeping bright the lamp of self- respect in his bosom against South wind and East; none excel friend Andrew Cogglesby, who, having fallen into Old Tom's plot to humiliate his wife and her sisters, simply for Evan's sake, and without any distinct notion of the terror, confusion, and universal upset he was bringing on his home, could yet, after a scared contemplation of the scene when he returned from his expedition to Fallow field, continue to wear his rueful mask; and persevere in treacherously outraging his lofty wife.

Most of the tale is told externally; but every now and then the clever and witty Countess de Saldar writes a letter in which a leading incident is illuminated from her personal point of view. Ever since the days of Richardson the device has frequently been used of telling an entire story through a series of letters exchanged among the characters.

Now, to clear up a point or two: You may think the Comic Muse is straining human nature rather toughly in making the Countess de Saldar rush open-eyed into the jaws of Demogorgon, dreadful to her. She has seen her brother pointed out unmistakeably as the tailor-fellow. There is yet time to cast him off or fly with him.

Nevertheless, I must here state that the scene related, innocent as it was, and, as one would naturally imagine, of puny consequence, if any, did no less a thing than, subsequently, to precipitate the Protestant Countess de Saldar into the bosom of the Roman Catholic Church. A little bit of play! It seems barely just.

Our comedy opens with his return from Portugal, in company with Miss Rose, the heiress; the Honourable Melville Jocelyn, the diplomate; and the Count and Countess de Saldar, refugees out of that explosive little kingdom.

The despatches of a general being usually acknowledged to be the safest sources from which the historian of a campaign can draw, I proceed to set forth a letter of the Countess de Saldar, forwarded to her sister, Harriet Cogglesby, three mornings after her arrival at Beckley Court; and which, if it should prove false in a few particulars, does nevertheless let us into the state of the Countess's mind, and gives the result of that general's first inspection of the field of action.

We mortals, the best of us, may be silly sheep in our likes and dislikes: where there is no premeditated or instinctive antagonism, we can be led into warm acknowledgement of merits we have not sounded. This the Countess de Saldar knew right well. Rose now intimated her wish to perform the ceremony of introduction between her aunt and uncle present, and the visitors to Beckley Court.