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Updated: June 20, 2025
Willst du dir ein hübsch Leben zimmern, Must ums Vergangne dich nicht bekümmern, Und wäre dir auch was verloren, Musst immer thun wie neu geboren; Was jeder Tag will, sollst du fragen, Was jeder Tag will, wird er sagen; Musst dich an eignem Thun ergetzen, Was andre thun, das wirst du schätzen; Besonders keinen Menschen hassen, Und das Uebrige Gott überlassen.
In her grief she did not notice, perhaps, that it is already midnight. I will remind her of it, so that she may go to bed." He placed himself on the street in front of the house, blew his horn noisily, and then sang in a ringing voice: "Hort, Ihr Herren, und lasst euch sagen, Die Glock hat zwolf geschlagen; Ein Jeder bewahr sein Feuer und Licht, Dass dieser Stadt kein Harm geschicht!"
If Heine read Loeben's ballad and saga in "Urania für 1821," he could thereby have learned also of Schreiber's Rheinsagen, for, by a peculiar coincidence for our purpose, Brockhaus discusses these in the introduction in connection with a tragedy by W. Usener, entitled Die Brüder, and based upon one of Schreiber's Sagen.
And then Heine tells the same story that is told by Schreiber. It is the eighth of the seventeen Sagen in question. This, then, is proof that Heine knew Schreiber so long before 1835 that he was no longer sure he could depend upon his memory. But it is impossible to say whether Heine's memory was good for twelve years, or more, or less. But there is better evidence than this.
From the Japanische Murchen und Sagen. Near a big river, and between two high mountains, a man and his wife lived in a cottage a long, long time ago. A dense forest lay all round the cottage, and there was hardly a path or a tree in the whole wood that was not familiar to the peasant from his boyhood.
Thus the Volkslied was the creation as it was the property of the people in just the same sense as were our mediaeval churches. The fact that the authors are not recognizable is vital for this kind of art. The recreations of the people at this time were "Sagen, Singen, Tanzen," story-telling, singing, dancing, in which all joined, high and low together; no others were known.
Art, gentlemen, is nourished upon inequalities and injustices!" "Wie kann man so etwas sagen!" It may be well that justice should be established, even though art perish. I simply state a fact!" See what plutocracy already makes of art!" Here one of the Germans insisted on a hearing; a fine fellow, with Samsonic locks and a ringing voice.
The question of the retention, of the functionary was put to the vote. But there was much confusion, for the East-End Jew is only slowly becoming a political animal. The ayes had it, but Wolf was not yet satisfied with the satisfaction of the gathering. He repeated the entire batch of questions in a new formula so as to drive them home. "Hot aner etwas zu sagen gegen mir?"
That this now well-known ballad of the Lorelei was invented by Brentano is proved, not so much by his own statement to that effect as by the fact that the erudite and diligent Grimm brothers, the friends of Brentano, did not include the Lorelei-legend in their collection of 579 Deutsche Sagen, 1816. The name of his heroine Brentano took from the famous echo-rock near St.
'What shall I say, then? asked Loerke, with soft, mocking insinuation. 'Sagen Sie nur nicht das, she muttered, her cheeks flushed crimson. 'Not that, at least. She saw, by the dawning look on Loerke's face, that he had understood. She was NOT Mrs Crich! So-o-, that explained a great deal. 'Soll ich Fraulein sagen? he asked, malevolently. 'I am not married, she said, with some hauteur.
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