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The production of Poliziano's "Orfeo" may not have seemed to its contemporaries to possess an importance larger than that which Rossi and D'Ancona attribute to it; but its proper position in musical history is at the foundation of the modern opera. Poetically it was the superior of any lyric work, except perhaps those of Metastasio.

"You know everything," he said, with a dejected shrug. "Either you are a wizard, or Gregor and Rossi are open-mouthed fools." Steingall smiled inscrutably, but Clancy, who had remained strangely quiet, did not relax the close attention he was giving to the Frenchman's least word or action.

"Your eyes speak to my soul, and tell me what to do and what to say." A professed rhetorician could not have answered more elegantly or more flatteringly. I finished the translation; I had it copied out by Costa and took it to Rossi, the manager, who said he would put it on directly, when I told him I was going to make him a present of the play.

If Rossi was retrocessive, he was at least a constitutional minister, and constitutional means of opposing him were open to all, but Italy understands nothing constitutional; liberty is a fair word and a watchword, nothing more; an idea it is not in the minds of any. The poor Pope I deeply pity; he is a weak man with the noblest and most disinterested intentions.

Now, after Fra Giovanni Agnolo, Maestro Zaccheria, and Giorgio had thus discoursed at some length of the condition of that Company, and the Frate had spoken of it with Bronzino, Francesco da San Gallo, Ammanati, Vincenzio de' Rossi, Michele di Ridolfo, and many other sculptors and painters of the first rank, and had declared his mind to them, when the morning of the most Holy Trinity came, all the most noble and excellent craftsmen of the arts of design, to the number of forty-eight, were assembled in the above-named chapter-house, where a most beautiful festival had been prepared, and where the tomb was already finished, and the altar so far advanced that there were wanting only some figures of marble that were going into it.

Expressions of rapture greeted heron the streets; even the rigid etiquette of the Prussian court gave way to receive the low-born singer as a royal guest, an honor which all the aristocratic houses were prompt to emulate. It was at Berlin that Sontag made the acquaintance of Count Rossi, a Piedmontese nobleman attached to the Sardinian Legation.

But the Pope, after having essayed in vain a new ministry, pressed him more urgently, in the month of September, 1848, to come to his aid, offering him at the same time his full confidence and unlimited authority. M. Rossi accepted.” At the time of his accession to office Count Rossi was sixty years of age. He was no stranger to politics.

De Rossi thought that the appellative "Domna" distinguishing the Virgin was an argument against such high antiquity; but in a later number of his "Bullettino" he described an inscription of about 457 at Loja, in Spain, in which the title "Domnus" or "Domna" is applied to all the saints, including the Virgin.

"The old miser," said Salvator, "knows very well that he has only to take yon painted lid to Count Colonna or to my friend Rossi and he will at once get forty ducats for it, or even more." Salvator and Antonio then both deliberated how they should carry out the plan of attack which was to be made when night came.

From M. d'Indy we have had scholarly editions of Rameau, Destouches, and Salomon de Rossi. Even in the middle of rehearsals of L'Étranger at Brussels he was working at a reconstruction of Monteverde's Orfeo. He has published selections of folk-songs with critical notes, essays on Beethoven's predecessors, a history of Musical Composition, and debates and lectures.