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Updated: May 9, 2025


But these had made their proposals with the formal respect habitual to French decorum in matrimonial proposals. Words so eloquently impassioned as Gustave Rameau's had never before thrilled her ears; Yes, she was deeply moved; and yet, by that very emotion she knew that it was not to the love of this wooer that her heart responded.

His English experience was far from satisfactory, and he soon returned to Germany, stopping at Paris on the way, where Rameau's operas had a strong influence upon him.

Rameau sank back on his chair with a sullen sneer on his pale lips. Decidedly Lebeau was not so great a man as he had thought. "A certain portion of the journal," continued Lebeau, "will be exclusively appropriated to your pen." Rameau's lip lost the sneer.

"'Punished by an avenger of the tortoise, That seems odd." "Well, rather odd. But you understand the reference, of course. Have they told you about Rameau's treatment of Goujon's pet tortoise?" "I think it was mentioned among his other pranks. But this is an extreme revenge for a thing of that sort, and a queer way of announcing it."

Savarin gently detained her hand, and looking earnestly into her tell-tale face, divined her secret. "It is your own, Signorina! Accept the congratulations of a very practised and somewhat fastidious critic. If the rest of what you write resembles this sentence, contribute to Rameau's journal, and I answer for its success." Rameau approached, half incredulous, half envious.

"Sombre and unsociable he fled the world, and kept, even amid his family, a silence almost absolute." I do not know whether or not Rameau's wife survived him. In his old age Rameau said that if he were twenty years younger, he would go to Italy and take Pergolesi for his master in harmony. This brilliant genius, Pergolesi, died in 1736, at the age of twenty-six.

On one occasion, when he was praising Rameau's chorus of "Castor and Pollux," an admirer of his flattered him with the remark, "But what a difference between this chorus and that of your 'Iphigénie'!" "Yet it is very well done," said Gluck; "one is only a religious ceremony, the other is a real funeral." He was wont to say that in composing he always tried to forget he was a musician.

These accompaniments are generally in bad taste; they drown the voice rather than support it, and force the singers to scream and howl in a manner which no ear of any delicacy can tolerate. We come away from an opera of Rameau's intoxicated with harmony and stupefied with the noise of voice and instruments.

This was not a request that Isaura could refuse, though she was embarrassed and troubled by the surmise of Madame Rameau's object in asking it; accordingly she led her visitor into the adjoining room, and making an apologetic sign to the Venosta, closed the door.

It is difficult to disentangle, one by one, all the threads in a nature so complex as Rameau's; but if we may hazard a conjecture, the grief of disappointed love was not the immediate cause of his illness, and yet it had much to do with it. The goad of Isaura's refusal had driven him into seeking distraction in excesses which a stronger frame could not have courted with impunity.

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