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Every Parisian of Rameau's stamp looks forward in marriage to a brilliant salon. What salon more brilliant than that which he and Isaura united could command? He had long conquered his early impulse of envy at Isaura's success, in fact that success had become associated with his own, and had contributed greatly to his enrichment.

This is the social significance of the dialogue. This is what, apart from other considerations, makes Rameau's Nephew so much more valuable a guide to the moral sentiment of the time than merely licentious compositions like those of Louvet or La Olos. Its instructiveness is immense to those who examine the conditions that prepared the Revolution.

It seemed impossible that it could have been carried out of the building, for the hall-porter must at once have noticed anybody leaving with so bulky a burden. Still, in the building it was not to be found. When Hewitt was informed of these things on Monday, the police were, of course, still in possession of Rameau's rooms.

Still, in its way, it is very clever; it can sting and bite as keenly as if it were big and strong. Rameau is the most promising member of the set. He will be popular in his time, because he represents a good deal of the mind of his time, namely, the mind and the time of 'New Paris." Do you know anything of this young Rameau's writings?

He had found a copy of Rameau's "Harmony" among some old books and spent many hours poring over those labored theories in his efforts to reduce them to some form and sense. Inspired by these studies he tried his hand at music making in earnest. First came some arrangements of trios and quartettes. Then finally he was emboldened to write a quintette for flute, two violins, viola and 'cello.

His rhythms were novel and suggestive, and the originality and resource of his orchestration opened the eyes of Frenchmen to new worlds of beauty and expression. Not the least important part of Rameau's work lay in the influence which his music exerted upon the genius of the man to whom the regeneration of opera is mainly due.

'Tortuga, however, is only the old Spanish name; the Haytians speak French Creole French. Here is a French atlas: now see the name of that island." "La Tortue!" "La Tortue it is the tortoise. Tortuga means the same thing in Spanish. But that island is always spoken of in Hayti as La Tortue. Now, do you see the drift of that paper pinned to Rameau's breast?"