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Updated: June 12, 2025
At times they seem on terms of as perfect good fellowship as ever was, with a touch of post-matrimonial indifference; but Isopel had fits of weeping and Borrow of listlessness. Borrow was uncommonly fond of prophetic tragic irony. As he made Thurtell unconsciously suggest to the reader his own execution, so he makes Isopel say one day when she is going a journey: "I shall return once more."
The years went on; scandal lost its verdure; Lady Ogram was accepted as a queer woman with a queer history, a rather vulgar eccentric, whose caprices and enterprises afforded agreeable matter for gossip. No one had ever ventured to assail her post-matrimonial reputation; she was fiercely virtuous, and would hold no terms with any woman not wholly above reproach.
"You mean you could prove the probability of it, my dear baronet; for, at present, the case is not susceptible of proof. What you say may be true; but, on the other hand, it may not; and, in the event of his marrying without the post-matrimonial reformation you speak of, what becomes of your daughter's happiness?"
We must have paced along in this amiable, post-matrimonial fashion for quite a quarter of the mile we had to go, and I was awkwardly conscious of suppressed laughing from her side. It was the rippling voice, that always seemed to me like fountain splash in the sunshine, which broke silence again.
"The popularity of a proverb, my good friend, is no proof of its truth; and, besides, I should wish to place a hope of my son's reformation upon something firmer and more solid than the strength of an old adage." "But you know, my lord," replied the other, "that the instances of post-matrimonial reformation, if I may use the word, from youthful folly, are sufficient to justify the proverb.
In the first place, a great deal of that fuel which feeds the post-matrimonial flame is burned away and wasted unnecessarily; the imagination, too, is raised to a ridiculous and most enthusiastic expectation of perpetual bliss and ecstasy; then comes disappointment, coolness, indifference, and the lights go out for want of the fuel I mentioned; and altogether the domestic life becomes rather a dull and tedious affair.
As regards the themes of these "novelettes" (from which the present collection is chiefly made up), it was remarked at the time of their first appearance that they hinted at a more serious purpose than their style seemed to imply. Who can read, for instance, "Pharaoh" (which in the original is entitled "A Hall Mood") without detecting the revolutionary note which trembles quite audibly through the calm and unimpassioned language? There is, by-the-way, a little touch of melodrama in this tale which is very unusual with Kielland. "Romance and Reality," too, is glaringly at variance with the conventional romanticism in its satirical contributing of the pre-matrimonial and the post-matrimonial view of love and marriage. The same persistent tendency to present the wrong side as well as the right side and not, as literary good-manners are supposed to prescribe, ignore the former is obvious in the charming tale "At the Fair," where a little spice of wholesome truth spoils the thoughtlessly festive mood; and the squalor, the want, the envy, hate, and greed which prudence and a regard for business compel the performers to disguise to the public, become the more cruelly visible to the visitors of the little alley-way at the rear of the tents. In "A Good Conscience" the satirical note has a still more serious ring; but the same admirable self-restraint which, next to the power of thought and expression, is the happiest gift an author's fairy godmother can bestow upon him, saves Kielland from saying too much from enforcing his lesson by marginal comments,
I am afraid they are too fond of flirting, though. English girls don't get much of a chance at that, as girls. They don't amount to much until they are married and get their own way." "Why, they don't flirt after they are married, do they?" said Bijou, in a horrified tone, her ideal of post-matrimonial conduct being the exact opposite of the ante-matrimonial. "Oh, don't they, just!" said Mr.
Is this practice of post-matrimonial cannibalism a general custom in the insect world? For the moment, I can recollect only three characteristic examples: those of the Praying Mantis, the Golden Gardener, and the scorpion of Languedoc. An analogous yet less brutal practice for the victim is defunct before he is eaten is a characteristic of the Locust family.
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