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Updated: May 9, 2025
Garnett's Relics of Shelley, pages 49, 190. On the 11th of June, 1821, he wrote to Ollier: "As yet I have laughed; but woe to those scoundrels if they should once make me lose my temper!" The stanzas on the "Quarterly" in "Adonais", and the invective against Lord Eldon, show what Shelley could have done if he had chosen to castigate the curs. Meanwhile the critics achieved what they intended.
For round her breathed A grace like that of the general air, Which softens the sharp extremes of things, And connects by its subtle, invisible stair The lowest and the highest. She interwreathed Her mortal obscureness with so much light Of the world unrisen, that angel's wings Could hardly have given her greater right To float in the winds of the Infinity." Edmund Ollier.
The decision of the cause whether or not I am a poet is removed from the present time to the hour when our posterity shall assemble: but the court is a very severe one, and I fear that the verdict will be "Guilty death." A letter to Mr. Ollier was probably a little later. It says: 'I send you a sketch for a frontispiece to the poem Adonais.
Arranged, bound, indexed, all these at once become accessible and valuable. I will take the first instance which happens to suggest itself. How many who know all about osteoblasts and the experiments of Ollier, and all that has grown out of them, know where to go for a paper by the late Dr. A. L. Peirson of Salem, published in the year 1840, under the modest title, Remarks on Fractures?
Edmund Ollier, the son of Charles Ollier, the publisher of Lamb's Works, 1818, in his reminiscences of Lamb, prefixed to one edition of Elia, tells this story: "Once at a musical party at Leigh Hunt's, being oppressed with what to him was nothing but a prolonged noise ... he said 'If one only had a pot of porter, one might get through this. It was procured for him and he weathered the Mozartian storm."
"This is too strong. I know well that the abbé would say that we need not concern ourselves with these singularities and these errors, but that the 'Cité Mystique' is to be read in relation to the inner life of the Blessed Virgin. Yes, but then the book of M. Ollier, which treats of the same subject, seems to me curious and trustworthy in quite a different way."
The notices of Alastor, Rosalind and Helen, and Prometheus Unbound more especially the first in the years 1819 and 1820, would be found to bear out this statement. From the dates already cited, it may be assumed that the Pisan edition of Adonais was in London in the hands of Mr. Ollier towards the middle of August, 1821, purchasable by whoever might be minded to buy it.
d by John Bickers and Dagny "Our natures languish incomplete; Something obtuse in this our star Shackles the spirit's winged feet; But a glory moves us from afar, And we know that we are strong and fleet." Edmund Ollier.
Ollier, written on 14 May, 1820, before the actual publication of the Lamia volume: 'Keats, I hope, is going to show himself a great poet; like the sun, to burst through the clouds which, though dyed in the finest colours of the air, obscured his rising. Keats died in Rome on 23 February, 1821. Soon afterwards Shelley wrote his Adonais.
Lord Byron's company proved now, as before, a check rather than an incentive to production: "I do not write; I have lived too long near Lord Byron, and the sun has extinguished the glow-worm; for I cannot hope, with St. To Ollier, in 1820, he wrote: "I doubt whether I shall write more.
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