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Updated: June 9, 2025
Syme of Edinburgh, Wood, and Ollier have devised methods of restoring the nose, which bear their names. Ohmann-Dumesnil reports a case of rhinophyma in a man of seventy-two, an alcoholic, who was originally affected with acne rosacea, on whom he performed a most successful operation for restoration.
It is, therefore, interesting to collect the passages in which he speaks of an elegy only equalled in our language by "Lycidas", and in the point of passionate eloquence even superior to Milton's youthful lament for his friend. "The 'Adonais', in spite of its mysticism," he writes to Ollier, "is the least imperfect of my compositions."
Arranged, bound, indexed, all these at once become accessible and valuable. I will take the first instance which happens to suggest itself. How many who know all about osteoblasts and the experiments of Ollier, and all that has grown out of them, know where to go for a paper by the late Dr. A. L. Peirson of Salem, published in the year 1840, under the modest title, Remarks on Fractures?
I always tell Ollier to send you copies of my books. Prometheus Unbound I imagine you will receive nearly at the same time with this letter. The Cenci I hope you have already received: it was studiously composed in a different style. "Below the good how far! but far above the great !" In poetry I have sought to avoid system and mannerism.
Williams, who joined them at Casa Magni; and Edward John Trelawny, an adventurous and daring sea-rover, who afterwards accompanied Byron to Greece. It was only towards the summer of 1819 that Shelley read the Endymion. He wrote of it thus in a letter to his publisher, Mr. Ollier, September 6, 1819.
"Prometheus", on the other hand, he tells Ollier, "is my favourite poem; I charge you, therefore, specially to pet him and feed him with fine ink and good paper" which was duly done.
But in case I send it printed, it will be merely that mistakes may be avoided. I shall only have a few copies struck off in the cheapest manner. The criticism which Shelley intended to write on Hyperion remained, to all appearance, unwritten. It will be seen, from the letter of Shelley to Mr. In another letter to Ollier, 11 June, the poet says: 'Adonais is finished, and you will soon receive it.
Ollier followed immediately afterwards. 'Pisa, June 8th, 1821, 'You may announce for publication a poem entitled Adonais. It is a lament on the death of poor Keats, with some interspersed stabs on the assassins of his peace and of his fame; and will be preceded by a criticism on Hyperion, asserting the due claims which that fragment gives him to the rank which I have assigned him.
Shelley did not publish "Epipsychidion" with his own name. He gave it to the world as a composition of a man who had "died at Florence, as he was preparing for a voyage to one of the Sporades," and he requested Ollier not to circulate it, except among a few intelligent readers. It may almost be said to have been never published, in such profound silence did it issue from the press.
The news of Keats's death at Rome on the 27th of December, 1820, and the erroneous belief that it had been accelerated, if not caused, by a contemptible review of "Endymion" in the "Quarterly", stirred Shelley to the composition of "Adonais". He had it printed at Pisa, and sent copies to Ollier for circulation in London.
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