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Updated: May 7, 2025


As soon as the first novelty of Miss Mitchin's was gone, the Applebys settled down to custom which was just large enough to keep their hopes staggering onward, and just small enough to eat away their capital a few cents a day, instead of giving them a profit.

Her voice droned away. They could think of nothing but mean economies as they trudged the wide and magic night of the moors. When they were home, and the familiar golden-oak chairs and tidies blurred their memory of Miss Mitchin's crushing competition, Father again declared that no dinky tea-pot inn could permanently rival Mother's home-made doughnuts.

She led Father into the arbor and effervescently demanded, "Why don't Mother and you have a place like that dear old mansion of Miss Mitchin's, and all those clever people there and all?" Father fairly snarled, "Now look here, young woman, the less you say about Miss Mitten the more popular you'll be around here. And don't you dare to speak to your mother about that place.

None of this subtlety, this psycho-analysis and fellowship of the arts, was evident to the Applebys. They didn't understand the problem, "Why is a Miss Mitchin?" All that they knew, as they dragged weary joints down the elm-rustling road and back to the bakery on Main Street, was that Miss Mitchin's caravanserai was intimidatingly grand and very busy.

They were not so much envious as in awe of Miss Mitchin's; it seemed to belong to the same unattainable world as Newport and the giant New York hotels. The Applebys didn't know it, but Grimsby Center had become artistic. They couldn't know it, but that sharp-nosed genius-hound Miss Mitchin was cashing in on her salon.

But this Miss Mitten place is a pretty serious proposition for us to buck, and I absolutely forbid you to bother your mother with mentioning it." Father stood straight and glared at her. There was in him nothing of the weary little man who was in awe of Miss Mitchin's. Even his daughter was impressed. She forgot for a moment that she was Mrs.

Practically without exception these ladies put vine leaves in their hair geranium leaves, anyway and galloped to Miss Mitchin's, to drink tea and discuss Freud and dance the fox-trot in a wild, free, artistic, somewhat unstandardized manner.

There are many such groups, with the same summer watering-places and the same winter beering-places. Some of them drink hard liquor and play cards. But Miss Mitchin's group were very mild in manner, though desperately violent in theory. The young women wore platter-sized tortoise-shell spectacles and smocks that were home-dyed to a pleasing shrimp pink.

Because it was talked about and crowded, ordinary untutored motorists judged Miss Mitchin's the best place to go, and permitted their wives to drag them past the tortoise-shell spectacles and the unprostituted art and the angular young ladies in baggy smocks breaking out in sudden irresponsible imitations of Pavlova.

She rearranged the furniture, but as there was nothing in the tea-room but chairs, tables, and a fireplace, there wasn't much she could do. She descended on Grimsby Center, and came back enthusiastic about Miss Mitchin's. She had met the young man with the Albanian costume, and he had talked to her about vorticism and this jolly new Polish composer with his suite for tom-tom and cymbals.

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