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Updated: June 22, 2025
Stier, after quoting this sentence in reference to the parable from Kurz, Bibel und Astronomie, remarks, "This is a thought quite permissible in itself, but as an exposition of what Eternal Wisdom has spoken, it is not valid." Here, however, the learned critic has incorrectly apprehended the state of the question. A secondary relation is as real in its own place as a primary.
The first lines are the source of the famous lines in Goethe's Faust: 'Ach Gott! die Kunst ist lang Und kurz ist unser Leben, Mir wird bei meinem kritischen Bestreben Doch oft um Kopf und Busen bang.
Firkin, slowly; "but the truth is, it's a little awkward. These ladies are kind enough to receive us; but to ask favors of them, is, you see, different." "Oh! yes," interrupted Mr. Boosey; "to ask favors of them is a very different thing," and his eyes really glistened. "These are ladies, you see, dear Mrs. Potiphar," said Kurz Pacha, "who don't grant favors." "But still," continued Mr.
De Famille and his family have retired for the night, but upon arriving in the morning he will explain everything to Mr. Potiphar's satisfaction. "Jolly!" whispered Mr. Boosey, rubbing his hands, to Mr. Firkin, on whose arm I was leaning. "Are you fond of the Italian opera, Mr. Potiphar?" inquired Kurz Pacha, blandly, Mrs. P. sat down upon a settee and looked at nothing.
Going down the Linden Strasse yesterday, I encountered a mob; and, being curious in Potzdorff's interest, penetrated to the kernel of it. There I found two men of my old regiment Kurz and another at words with a small, dark, nimble fellow, who carried bright and dancing eyes in a pock-marked face.
We alighted and walked into the room where all the baggage was arranged. "Est-ce qu'il y a quelque chose a declarer?" asked an officer, addressing Mr. Potiphar. "Good heavens! what did you say?" said Mr. P., looking at him. The officer smiled, and Kurz Pacha said something, upon which he bowed and passed on.
They have such coats, and trowsers, and waistcoats, and boots, "always looking," says Kurz Pacha, "as if they came into a large fortune last evening, and were anxious to advertise the fact this morning." Even the boys in the streets turn to look at them. Mr. Boosey always buys the pattern shirts, and woollen morning dresses, and fancy coats, that hang in the shop windows.
It was some time before Polly was able to make her husband comprehend the case. "Ah!" said he, at length; "Oh! I understand." All our first days were full of such little mistakes. Kurz Pacha come regularly to see us, and laughed more than I ever saw him laugh before. The young men were away a great deal, which was hardly kind.
"Weil kurz Hr hd: because he has short hair." I could multiply these examples indefinitely by drawing on the voluminous Elberfeld minutes, which, I may say in passing, have the convincing force of photographic records.
He never became a splendid executant, like Bach and Handel before him, and Mozart and Beethoven immediately after, but he must have been head and shoulders above the ordinary musical practitioner. His first opportunity came when he made the acquaintance of one Felix Kurz, a well-known comic actor, for whom he wrote the comic opera, Der Neue Krumme Teufel.
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