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It was from Keppler, saying that he would be glad to buy all of the Circle L cattle at thirty dollars a head. Lawler stuck the telegram in a pocket and went out, mounting Red King and riding through Willets. Darkness had come, and there were few persons on the street, and Lawler did not stop. A little later he was talking with Blackburn at the camp fire, his voice low and earnest.

The stranger entered the inn at a side door, and Gallegher, reaching it a few minutes later, let him go for the time being, and set about finding his occasional playmate, young Keppler. Keppler's offspring was found in the wood-shed. "'Tain't hard to guess what brings you out here," said the tavern- keeper's son, with a grin; "it's the fight." "What fight?" asked Gallegher, unguardedly.

"Well, his father will know the difference," grinned Bob cheerfully. "Why should I start an argument with Fred? Saving the cow from the pound ought to be enough, anyway. Mr. Keppler has had to buy more than one animal out before this; he will not pay attention to his fences." Betty sat down on a broad boulder and leaned up against an old hickory tree. "Stone in my shoe," she said briefly.

He had matured both his mechanical resources and his artistic method by the time the campaign of 1884 came on, and he had founded a school which could apply the style to American politics with aptness superior to his own. It was Bernhard Gillam, who, working in the new Keppler style, produced a series of cartoons whose tremendous impressiveness was universally recognized.

"Well, see that it doesn't happen again," commanded Bob, gracefully withdrawing by walking backward. "Corn that's as high as ours is worth something, you know." "You never told him about the pitchfork," said Betty accusingly, as soon as Fred Keppler and the cow were out of earshot. "You let him think it was blackberry bushes that scratched her like that."

"Whew!" whistled Gallegher, "where's it to be?" "In the barn," whispered Keppler. "I helped 'em fix the ropes this morning, I did." "Gosh, but you're in luck," exclaimed Gallegher, with flattering envy. "Couldn't I jest get a peep at it?" "Maybe," said the gratified Keppler. "There's a winder with a wooden shutter at the back of the barn.

Fred Keppler had what his fond mother called a "good head," and as Peabody and the agent stopped in the station doorway to continue their discussion he proceeded to bear out her theory by thrusting a wad of bills into Betty's hand. "Money for the calves," he explained. "Just fifty there. Haven't seen Dad to turn it over to him. Give me the check and it will be all right.

For the most part the discovery of this principle or that in a given sequence is no accident. Galileo and Keppler must precede Newton. Cuvier and Lyall must come before Darwin; Which, after all, is no more than saying that in our Temple of Science, as in any other piece of architecture, the foundation must precede the superstructure.

"Whew!" whistled Gallegher, "where's it to be?" "In the barn," whispered Keppler. "I helped 'em fix the ropes this morning, I did." "Gosh, but you're in luck," exclaimed Gallegher, with flattering envy. "Couldn't I jest get a peep at it?" "Maybe," said the gratified Keppler. "There's a winder with a wooden shutter at the back of the barn.

But it so happened that the rise of Cleveland in politics coincided with the artistic career of Joseph Keppler, who came to this country from Vienna and who for some years supported himself chiefly as an actor in Western theatrical companies. He had studied drawing in Vienna and had contributed cartoons to periodicals in that city.