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Updated: June 11, 2025
The army chaplain was in the next room; and, as the quadrille closed in a roistering polka and a waltz struck up, he clapped in time to the couples that were circling before him, their hands on each other's shoulders, and their voices joining merrily with the music: "In Lauterbach hab' ich mein Strumf verlor'n, Und ohne Strumf geh' ich nicht heim; Ich gehe doch wieder zu Lauterbach hin Und kauf' mir ein Strumf für mein Bein."
It was a wonderfully colorful scene and I saw that Kauf proposed to rehearse it thoroughly, doing it over and over without the cameras until every detail reached a practiced perfection. In this I was certain he achieved results superior to Werner's slap, dash, and bang. Then came the call for action. "Camera!" Kauf began to bob up and down. "Into it, everybody!"
Kauf and the others, their faces weirdly ashen, clustered about in fright. A third time the invisible hand had struck at a member of the company. "The Black Terror," with all the horror written into that story, contained nothing as fearful as the menace to the people engaged in its production. Shirley's skin was cold and clammy, his face almost rigid. While conscious, he was helpless.
He smiled weakly. "I'll try anything once." "That's the spirit!" She patted him on the shoulder, then danced on into the center of the set, stopping to direct some barbed remark at Marilyn. Kauf took his megaphone to call his people around him. There seemed to be a certain essential competence about the little man, now that Manton and Phelps and Millard were not about to bother him.
"This is a case of grim necessity," he added. Kauf hurried off and we made our way across the yard to the stairs leading down into the basement and to the projection room specified by Kennedy. Here Manton was waiting, uneasy, flushed, his face gathered in a frown and his hands clenching and unclenching in his nervousness. "Do you do you know who it is?" he demanded. "Not yet," Kennedy replied.
Manton glanced about and saw the little knot of people still gathered in the set. "Millard! Go over and tell Kauf to get busy. He's losing time." Then he turned to us again. "Come on, Mr. Kennedy, we have some steel lockers out by the property room." As we started across the floor I could see that Kennedy was framing a question with great care. "Do you ever use snakes in films, Mr.
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