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Updated: June 11, 2025


It's your chance, Kauf! Do you want it?" "Y-yes, sir!" "Good! I'll double your salary, including all this week. Now can you finish this banquet set to-night, while you have the people s" "To-night!" Kauf's eyes went wide, then he started to flush. "Well, to-morrow, then! We simply can't lay off a day, Kauf!" "All all right, sir!"

Kennedy, pausing just long enough to observe the promoter's appointment of Kauf to Werner's position, continued on toward the set. Now as I looked about I saw that Jack Gordon was missing, as well as Marilyn Loring. Presumably they had gone to their dressing rooms. All the other actors and actresses were waiting, ill at ease, wondering at the outcome of the tragedy.

We found Kauf in the large studio, obviously unhappy in the shoes of the unfortunate Werner. Probably from half-reasoned-out motives of efficiency in psychology the new director had made no attempt to resume work at once in the ill-fated banquet set, but had turned to the companion ballroom setting, since both had been prepared and made ready at the same time.

The district attorney, very unobtrusively, slipped each sample into a separate envelope, sealing it, and marking it with a hieroglyph which he would be able to identify later. In this fashion Kennedy secured blood smears of Manton and Phelps, Millard and Kauf and Enid, Gordon, the two camera men, and a scene shifter. I smiled to myself.

Even the inferior materials in the gowns of most of the girls would photograph as well as the most expensive silk; in fact, by long experience, many of the extra girls had learned to counterfeit the latest fashions at a cost ridiculous by comparison. Kennedy approached Kauf, then returned to us. "He asks us to wait until he gets this one big scene.

In the corridor by the dressing rooms we met Kauf, and Kennedy stopped him. "How long would it take to make a print from the scene where Shirley took the poison?" "We could have it ready in half an hour, in a case of grim necessity." "Half an hour?" I exclaimed at that, in disbelief. "You couldn't begin to dry the negative in that time, Kauf." He glanced at me tolerantly.

As we watched she left the studio, hurrying out the door without a backward glance. Marilyn, at least, showed no indications of the salve, nor of painfully recent acquaintance with water. Both Manton and Phelps were in evidence, decidedly so, I imagined, from, the viewpoint of poor Kauf. Manton, at the heels of his new director, was doing all he could to help.

Neither of the two we sought were in their quarters and so we continued on into the studio. Here we found Kauf at work; at least he was engaged in a desperate attempt to get something out of his people. "Ye gods, Gordon!" we heard him exclaim, as we made our way through the debris of the banquet set to the ballroom now dazzlingly bright under the lights.

Indeed, Manton's interest in all the affairs of picture making at this plant had been far too sincere and earnest to permit the belief that he was seeking to wreck the company or to double-cross his backer. Millard entered the studio as I glanced about for him. He handed some sheets to Kauf, then turned to leave. I attracted Kennedy's attention. "You don't want Millard to get away," I whispered.

Kauf, if you could arrange to have the same cutter take the film exposed yesterday when Mr. Werner " "You think you might be able to see something, to discover something on the screen?" "Exactly!" Kauf beamed. "Mr. Manton gave me orders to assist you in every way I could, or to put any of my people at your disposal. More than that, Mr. Kennedy, he anticipated you.

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