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On the contrary, it grows in intensity, for the madness of the meeting is nothing to the white-hot passion we get later; and in spite of the terminology the meaning of both Tristan and Isolda is perfectly clear.

But the moment her hatred is satisfied Isolda finds life intolerable without it, without love; her love a second time betrays her; and she seizes the poison and drinks also. Then comes the masterstroke.

Shakespeare did not, could not, make his lovers live so entirely in their passion as this: he had no music to express himself by, and had to speak through human beings. So when Romeo says, "let me stay and die," Juliet instantly hurries him away. Tristan and Isolda know they are wending to death, and are content.

The monks said that they had indeed heard a noise, but thinking it was a quarrel between soldiers drunken perhaps or mutinous, they had not thought it their business to interfere. Isolda eagerly, entreated: the alarm spread through the convent; the monks followed the nurse, who went on before with a torch.

Next he reminded Don Hermoso that he had on a certain occasion paid him and his family the compliment of proposing for the hand of Dona Isolda, and that the Don had seen fit to reject the proposal with scorn and contumely; yet such, he said, was his generous and forgiving nature that he was quite willing not only to overlook that affront, but also to secure the pardon of Don Hermoso and his family for their treason to the Spanish Government, if the said Don Hermoso would now withdraw his refusal and give his consent to his daughter's marriage with him, Don Sebastian Alvaros, a scion of one of the most noble families in Old Spain.

He left his hotel for the station, singing the great aria of the fourth Act of the Favorita: neglected since that mighty German with his Rienzi, and Tannhauser, and Tristan and Isolda, had mastered him, to the displacement of his boyhood's beloved sugary -inis and -antes and -zettis; had clearly mastered, not beguiled, him; had wafted him up to a new realm, invigorating if severer.

This leads straight to the rising of the curtain, and Brangaena is seen on the steps by the torch, keeping watch and listening to the horns of a hunting party; the sounds are growing fainter in the distance. Isolda enters, and Brangaena vainly tries to dissuade her from meeting Tristan. This night hunt, she swears, is a scheme of Melot's for the betrayal of Tristan, his foe. Isolda laughs.

The next few days sped very pleasantly, for the young people, at any rate, who passed their time in shooting, or in taking long rides about the surrounding country; and Senorita Isolda frequently found herself contrasting the genial, hearty friendliness and chivalrous courtesy of her brother's English friends with the stiff, haughty, overbearing manner and overweening conceit of the Spanish officers, who seemed to think that such attentions as they chose to pay her ought to be regarded as a vast condescension on their part.

Isolda, with sinister purpose, replies, "Near to the end!" It is reminiscent of the introduction of Beethoven's Sonata "Pathétique," and, after all, the phrase was not new when Beethoven employed it. We have seen in this first act, if not the birth of love, at any rate the avowal. The scene is laid on the sea, fresh, breezy, salt, bracing, suggestive of infinite energy and possibilities.

Then Carlos proclaimed that Jack was a singer and an accomplished pianist, and insisted that his friend should sing and play to them; and when Senor Alvaros privately confided to Senorita Isolda his opinion that English music was simply barbarous, and Englishmen utterly unendurable, the young lady unhesitatingly declared that she entirely disagreed with him.