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Updated: July 8, 2025


The truth is that I had no need, just at that moment, of putting myself into communication with Balzac, for opposite to me in the compartment were a couple of figures almost as vivid as the actors in the "Comédie Humaine." This young man indeed was mitigatedly monastic.

It is not by methods like these that are inspired sentiments, such as those which prompted Victor Hugo eloquently to describe a tribunal: "Ou dans l'obscurité, la laideur, et la tristesse, se degageait une impression austère et auguste. Car on y sentait cette grande chose humaine qu'on appelle la loi, et cette grande chose divine qu'on appelle la justice." "It will not do to deny the obligation.

But the similarities discoverable between the author of Volupte and the author of the Comedie Humaine were present in Sainte-Beuve's work at a period when Balzac was only just issuing from obscurity, and appear, moreover, to be due to temperament. In the case of George Sand, the inference is based partly on the praise she meted out to Balzac in her reminiscences.

And in the great mass of the Comedie Humaine, with its largeness and reality of life, as in life itself; the figure of Paquita justifies its presence. Considering the Histoire des Treize as a whole, it is of engrossing interest. And I must confess I should not think much of any boy who, beginning Balzac with this series, failed to go rather mad over it.

The Jardies hermit had a bill of twelve hundred francs to meet; and for this reason he was sad as he walked up and down the double passage of the Opera he, the hardest commercial and literary head of the nineteenth century; he, the poetic brain upholstered with figures like a financier's office; he, the man of mythologic failures, of hyperbolic and phantasmagoric enterprises, the lanterns of which he always forgot to light; he, the great pursuer of dreams for ever in quest of the absolute; he, the funniest, most attractive as well as the vainest character of the Comedie Humaine; he, the original, as unbearable in private life as he was delightful in his writings; the big baby swollen with genius and conceit, who had so many qualities and so many failings that one feared to attack the latter for fear of injuring the former, and thus spoiling this incorrigible and fatal monstrosity.

Every man has his own romance; mine clustered exclusively about the practice of the arts, the life of Latin Quarter students, and the world of Paris as depicted by that grimy wizard, the author of the Comedie Humaine. I was not disappointed I could not have been; for I did not see the facts, I brought them with me ready-made.

Indeed, in half the works composing the prodigious Comédie Humaine are passages of immense dramatic force. Clearly, too, the author of "The Cloister and the Hearth" could paint character and was a splendid storyteller into the bargain. Why, then, should Balzac and Browning have failed where Shakespeare and Sardou have succeeded?

Wealthy, handsome, ambitious, adventurous, diplomatic, a reader of Balzac, and of all men that I have known, the most like to one of Balzac's characters, he led a life, and was attended by an ill fortune, that could be properly set forth only in the Comédie Humaine.

I think I never saw a man more of a piece; and the type was new to me; I had never before set eyes upon his parallel, and I thought instinctively of Balzac and the lower regions of the Comedie Humaine. Pinkerton stared a moment on the intruder with no friendly eye, tore a leaf from his note-book, and scribbled a line in pencil, turned, beckoned a messenger boy, and whispered, "To Longhurst."

For this reason it is that, regarded as an aggregate, the Comedie Humaine can be admired only as one may admire a forceful mass of things, when it is looked at from afar, through an atmosphere that softens outlines, hides or transforms detail, adds irreality.

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