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Updated: June 6, 2025
Ernesto is twenty-six years old; he reads poems and writes plays, and is a thoroughly fine fellow. He feels an almost filial affection for Don Julián and a wholesome brotherly friendship for Teodora. They, in turn, are beautifully fond of him.
If Berto still failed to satisfy him, he was immediately replaced by Ernesto, if Ernesto could not do it, there was always Pietro who could do nearly anything. Berto was the only one of the company who had any self-consciousness in his acting or, rather, in his attempts at acting.
But could the forest be brought side by side with the parterre, could Niagara pour its emerald floods or Trenton its amber cascades side by side with the Fountain of Latona or the Great Basin of Neptune, Nature, terrible in her grandeur, would rule supreme. Such has been the comparison afforded by the appearance of Ernesto Rossi on the Parisian stage.
"Let us take, by way of illustration, the following brief narrative, which consists of three phases: 1. Ernesto did not know his lesson; 2. The teacher scolded the child severely; 3. Ernesto wept and promised to do better.
"Robert Redmayne came at two o'clock, flung pebbles at the window, wakened Ernesto, and demanded to be let in to see his brother. But the Italian had been warned exactly what to say and do if such a thing happened. He speaks English well and told the unfortunate man that he must appear by day.
Dr. Malatesta, his friend and physician, who is also very much attached to the nephew, contrives a plot in the latter's interest. He visits the Don, and urges him to marry a lady, pretending that she is his sister, though in reality she is Norina, with whom Ernesto is in love. He then calls upon Norina, and lets her into the secret of the plot, and instructs her how to play her part.
In some of the women ugly, with red hands and shabby dresses an extraordinary gift of natural utterance, of seeming to invent joyously as they go. <i>Later</i>. Last evening in H.'s box at the Apollo to hear Ernesto Rossi in "Othello." He shares supremacy with Salvini in Italian tragedy. Beautiful great theatre with boxes you can walk about in; brilliant audience.
Dulcie and Douglas were responsible for Gaspare, Rosalia, and Nina, while Vittore, and Aimée, Claude, and Bertram went together. Carmel held Tito and Berta each by a hand, and Ernesto helped them all three into a boat. Everard was in the very act of jumping in after them, when Ernesto stopped him. "Excuse me, Signore, that is my place! There is plenty of room for you in the other boat."
Cool, suave, polished; accepted at the clubs as a man of the world; an adept with rapier and pistol; Ernesto Villa Rocca bears his social coronet as bravely as the premier duke of France always on guard! "Does she love this man?" Natalie looks in her glass. From girlhood she has been hunted for her beauty. Now a fortune, title, and the oblivion of years will aid her in reigning as a mature queen.
Treat him well, so that he shall not perceive that he is far away from the city in which he was born; make him see that an Italian boy, in whatever Italian school he sets his foot, will find brothers there." So saying, he rose and pointed out on the wall map of Italy the spot where lay Reggio, in Calabria. Then he called loudly: "Ernesto Derossi!" the boy who always has the first prize.
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