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Updated: June 16, 2025


But whether in mind or in life Dryden was as unlike the Elizabethans as he was in his earlier years unlike the men of the poetic school which followed him. Of that school, the critical school as it has been called of English poetry, he was indeed the founder. He is the first of our great poets in whom "fancy is but the feather of the pen."

For even in Shakespeare there is always interest and importance in the action and reaction of subsidiary characters, in the event, in the accidental; there is intrigue, chance, misunderstanding, fate active agencies of which Othello and Hamlet, King Lear and Romeo, are helpless victims; there is, even in this psychological English drama of the Elizabethans, fate in the shape of Iago, in the shape of the Ghost, in the shape of the brothers of Webster's duchess; fate in the shape of a ring, a letter, a drug, but fate always.

It is this which accounts for the curious likeness in our today with that of the Elizabethans." As Henley was an Elizabethan, so his brilliant contemporary, Francis Thompson, was a "metaphysical," a man of the seventeenth century. Like Emerson, he is closer in both form and spirit to the mystical poets that followed the age of Shakespeare than he is to any other group or school.

How far the Elizabethans were influenced by the revival of learning and science, the discovery of the new world and the expansion of commerce, is a question I need not embark upon.

What can I say of thee more than all know? that thou hadst the gaiety of a boy with the knowledge of a man: as gentle a heart as ever sent tears to the eyes. How wittily would he mistake your meaning, and put in a conceit most seasonably out of season. His talk without affectation was compressed, like his beloved Elizabethans, even unto obscurity.

Of a truth, some kingly words fall to a lower estate than Nebuchadnezzar. Here, among words, our lot is cast, to make or mar. It is in this obscure thicket, overgrown with weeds, set with thorns, and haunted by shadows, this World of Words, as the Elizabethans finely called it, that we wander, eternal pioneers, during the course of our mortal lives.

Arthur Hacket and his madnesses. Sneezing. Cock-crowing. Jackdaw in the House of Commons. Russell and Drake both mistaken for devils. 33. Credulousness of people. "To make one danse naked." A parson's proof of transubstantiation. 34. But the Elizabethans had strong common sense nevertheless. People do wrong if they set them down as fools.

How could Shakespeare really describe the thinker? The Elizabethans could not think. They were like our rabbis. The unexpected digression into contemporary satire made the whole café laugh. Gradually other atoms had drifted toward the new magnet. From the remotest corners eyes strayed and ears were pricked up.

However that be, the brigantines and sloops used by the Elizabethans on all adventurous expeditions were mere boats compared with what we should use now on such occasions. The reason was obvious. Success depended on speed and sailing power. The art of building big square-rigged ships which would work to windward had not been yet discovered, even by Mr. Fletcher of Rye.

In all the works of our Elizabethans, we see not only the assimilated intellectual wealth of Italy, but we see the deep impression, the indelible picture in the memory, of Italy itself; the positive, unallegorical, essentially secular mode of thought; the unascetic, æsthetic, eminently human mode of feeling; the artistic desire of clear and harmonious form; the innumerable tendencies and habits which sever the Elizabethans so completely from the Middle Ages, and bring them so near at once to ourselves and to the ancients, making them at once antique and modern, in opposition to mediæval; these essential characters and the vast bulk of absolute scientific fact and formula, of philosophic opinion, of artistic shape, of humanistic learning, are only one-half of the debt of our sixteenth century to the Italy of the Renaissance.

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