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Updated: June 2, 2025
Eugène Delacroix, one of the greatest of modern painters, his keen eyes half closed in meditation, absorbs the vague mystery of color which imagination translates from the harmony, and attains new insight and inspiration through the bright links of suggestion by which one art lends itself to another.
On the 20th, and during the following night, more than fifty persons were arrested, amongst whom were Alison, the merchant in whose house Ravanel, Villas, and Jonquet were found; Delacroix, Alison's brother-in-law, who, on hearing the noise of the struggle, had hidden on the roof and was not discovered till next day; Jean Lauze, who was accused of having prepared Ravanel's supper; Lauze's mother, a widow; Tourelle, the maid-servant; the host of the Coupe d'Or, and a preacher named La Jeunesse.
There, he continued his hard battle against the taste of the time; for French art was then dominated by the influence of men like Delaroche, or like Delacroix and Horace Vernet, who had accustomed the public to pictures of a very lofty, a very romantic, or a very fiery sort; and there were few indeed who cared for stern and sympathetic delineations of the French peasant's unlovely life of unremitting toil, such as Millet loved to set before them.
"Chopin," observes Eugène Delacroix, "belongs to the small number of those whom one can both esteem and love."
Lamartine read his "Meditations" and Delphine Gay her first poems. Rachel recited, and Pauline Viardot, Garcia, Rubini, and Lablache sang. Delacroix, David, and Gerard represented the world of art, and the visitors from the grand monde were too numerous to mention.
Eugène Delacroix, one of Madame Sand's earliest and most valued friends in the artist-world, and one of the many with whom she enjoyed along and unclouded friendship, gives in his letters some agreeable pictures of life at Nohant, during his visits there in the successive summers of 1845 and 1846:
Manet, again, and Delacroix, have accomplished far more for the history of painting than any other two in our lists and yet their names are scarcely known outside the circle of those who know anything at all about painting.
One of the most interesting painters of the little group in France whose work began to come before the public about the middle of the nineteenth century, a close friend of Whistler, a passionate admirer of Delacroix, and an inspired student of the old masters, he managed to preserve intact an individuality that has a singular richness and simplicity seen against the many-colored tapestry of nineteenth-century art.
In that fantastic setting, and the hush of that twilight hour, the vision was so like the picture of a "Seraglio Tragedy," some fragment of a Delacroix or Decamps floating up into the drowsy brain, that I almost fancied I had seen the ghosts of Ba-Ahmed's executioners revisiting with dagger and bowstring the scene of an unavenged crime.
A more conspicuous and a more popular victory has been obtained by the royalists, in the trial and acquittal of Delacroix. The jury had been changed after the affair of Carrier, and were now better composed; though the escape of Delacroix is more properly to be attributed to the intimidating favour of the people.
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