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Updated: May 31, 2025
It would be fit to put aside Toulouse-Lautrec, who was much younger, but his work is too directly connected with that of Degas for one to take into account the difference of age. He produced between 1887 and 1900 works which might well have been ante-dated by fifteen years.
What Mr. Horsley or the British matron would say it is difficult to guess. Perhaps the hideousness depicted by M. Degas would frighten them more than the sensuality which they condemn in Sir Frederick Leighton. But, be this as it may, it is certain that the great, fat, short-legged creature, who in her humble and touching ugliness passes a chemise over her lumpy shoulders, is a triumph of art.
In painting, besides the temperature images already mentioned, there are touch images in still-life, for example, when silks and furs are represented; images of odors, in flower pieces; of motion, in pictures which depict motion, as in the racing horses of Degas; of taste, in pictures of wine and fruit.
Millet lived his life in penury and obscurity, but thirty years of persistent ridicule having failed to destroy Degas' genius, some recognition has been extended to it. The fate of all great artists in the nineteenth century is a score years of neglect and obloquy.
He had hung on each wall a drawing of dancing-girls by Degas. Since the coverings of the couch and the cushions were of Chinese silken embroideries, the interior appeared a somewhat bizarre mixture of the Oriental and the French. Antony had been in some doubt that Olivia would come.
We have seen Degas do this before it is a welcome repetition of a familiar note, but it is not until we turn to the set of nude figures that we find the great artist revealing any new phase of his talent. The first, in an attitude which suggests the kneeling Venus, washes her thighs in a tin bath.
And so at last I found the bit of uselessness, which, carried onward and developed in ages to come, as it had been elsewhere in ages past, was to evolve into botany, and back-yard gardens, and greenhouses, and wars of roses, and beautiful paintings, and music with a soul of its own, and verse more than human. To Degas the toko-nook was "just name," "and it was nothing more."
When important pictures by Degas could be bought for a hundred and a hundred and fifty pounds apiece, I tried hard to persuade some City merchants to buy them. They only laughed and told me they liked Long better. Degas has gone up fifty per cent, Long has declined fifty per cent. Leader's pictures will probably not be worth half as much as they are to-day.
He is not academic, yet he stems from purest academic traditions. He never exhibited in the Salons, he has no disciples, yet it is doubtful if any painter's fashion of seeing things has had such an influence on the generation following him. The name of Degas, the pastels of Degas, the miraculous draughtsmanship of Degas created an imponderable fluid which still permeates Paris.
This extraordinary oneness of nature and artistic vision does not exist in Degas, and even his portraits are composed from drawings and notes. About midnight Catulle Mendès will drop in, when he has corrected his proofs. He will come with his fine paradoxes and his strained eloquence. He will lean towards you, he will take you by the arm, and his presence is a nervous pleasure.
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