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Updated: May 21, 2025


"What! is this the work of the minister who is called great among you, and even by other nations? I do not understand him." "I will explain the matter to you presently," answered Corneille. "But first listen to the concluding part of this letter, which I received to- day. Draw near this light under the statue of the late King. We are alone. The crowd has passed. Listen!

The Baron unmercifully sacrificed Victor Hugo and Alexandre Dumas, whom he had never read, upon the altar of Racine and Corneille, of which he possessed two or three editions, and yet it would have embarrassed him to recite half a dozen verses from them.

"Nothing; but you will see that these later experiments of the Italian scientists are sustaining De Rochas and Aksakof in their claim that the medium is in a sense dematerialized to build up the phantasms. Dr. Encausse goes on to say: 'Moreover, the medium who had produced this phenomenon was preparing for the stage and had been studying Corneille during the whole of the preceding day.

Not at all: he discussed literature with Junot, who was familiar with all the new tragedies; he had a good deal to say about Raynouard's Templars, about Racine, Corneille, and the fate of the ancient drama. Then, by a singular transition, he began to talk about his Egyptian campaign.

M. Corneille did not ask for this judgment, and, by the statutes of the Academy, they could only sit in judgment upon a work with the consent and at the entreaty of the author." These expressions were taken as a formal consent, and as the Academy still excused themselves, " Let those gentlemen know," said the cardinal at last, "that I desire it, and that I shall love them as they love me."

This man, who had absorbed into himself all the functions of the government, who was ministers, magistrates, parliaments, all in one, this central sun of whom Corneille, Molière, Racine were but single rays, was destined to be enslaved in his old age by a designing adventuress; her will his law. The hey-day of youth having passed, he was beginning to be anxious about his soul.

This love of language for its own sake of language artfully ordered, splendidly adorned, moving, swelling, irresistible may be seen alike in the torrential sentences of Rabelais, in the sonorous periods of Bossuet, and in the passionate tirades of Corneille.

Cesarine flung all her girlish savings upon the counter of a bookseller's shop, and obtained in return, Bossuet, Racine, Voltaire, Jean-Jacques Rousseau, Montesquieu, Moliere, Buffon, Fenelon, Delille, Bernardin de Saint-Pierre, La Fontaine, Corneille, Pascal, La Harpe, in short, the whole array of matter-of-course libraries to be found everywhere and which assuredly her father would never read.

Lessing has, with the most irresistible and victorious wit, pointed out the ludicrous nature of the very plans of Rodogune, Semiramis, Merope, and Zaire. The lines with which Theseus in the Oedipus of Corneille opens his part, are deserving of one of the first places: Quelque ravage affreux qu'etale ici la peste L'absence aux vrais amans est encore plus funeste.

I should first put there Corneille of the Polyeucte, Cinna, and Horaces. I should put Moliere there, the fullest and most complete poetic genius we have ever had in France. Goethe, the king of critics, said: "Moliere is so great that he astonishes us afresh every time we read him. He is a man apart; his plays border on the tragic, and no one has the courage to try and imitate him.

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