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"Cairns on Blackdown in Somersetshire, and barrows near to Whitby in Yorkshire and Ludlow in Shropshire, are termed Robin Hood's pricks or butts; lofty natural eminences in Gloucestershire and Derbyshire are Robin Hood's hills; a huge rock near Matlock is Robin Hood's Tor; ancient boundary-stones, as in Lincolnshire, are Robin Hood's crosses; a presumed loggan, or rocking-stone, in Yorkshire, is Robin Hood's penny-stone; a fountain near Nottingham, another between Doncaster and Wakefield, and one in Lancashire, are Robin Hood's wells; a cave in Nottinghamshire is his stable; a rude natural rock in Hope Dale is his chair; a chasm at Chatsworth is his leap; Blackstone Edge, in Lancashire, is his bed."

To this all the ornamental part was proportioned conservatory and greenhouses on the most unrivalled scale three or four hundred orange-trees alone, throwing the Duke of Northumberland's gardens into eclipse, and stimulating his Grace of Devonshire even to add new greens and glories to Chatsworth.

Devonshire, who was impatient to see his woods at Chatsworth in their summer beauty, had deferred his departure in order to mark his respect for Tillotson. The crowd which lined the streets greeted the new Primate warmly.

'One must have a homestead, and this shall be mine; here I have set up my penates. It's a portion of space, you know; and what more can be said of Longleat or Chatsworth? A house I shall never want, because I shall never have a wife. And on the whole I prefer this situation to any other.

When, in some future civilisation, the art which has produced, not merely a Chatsworth or a Dropmore, but an average English shrubbery or park, is brought to bear on tropic vegetation, then Nature, always willing to obey when conquered by fair means, will produce such effects of form and colour around tropic estates and cities as we cannot fancy for ourselves. Mr.

It is a spring or well, which in general flows or runs underground imperceptibly, and then all at once rushes forth with a mighty rumbling or subterranean noise, which is said to have something musical in it, and overflows its banks; lastly Chatsworth, a palace or seat belonging to the Dukes of Devonshire, at the foot of a mountain whose summit is covered with eternal snow, and therefore always gives one the idea of winter, at the same time that the most delightful spring blooms at its foot.

The next day I reached the brave old city of Ripon. On the way I stopped an hour or two at Ripley and visited the castle. The building itself is a good specimen of the baronial hall of the olden time. But the gardens and grounds constitute its distinguishing feature. I never saw before such an exquisite arrangement of flowers, even at Chatsworth or the Kew Gardens.

It was a pleasure quite equal to my anticipation to visit Chatsworth for the first time, after a sojourn in England, off and on, for sixteen years. It is the lion number three, according to the American ranking of the historical edifices and localities of England. Stratford-upon-Avon, Westminster Abbey and Chatsworth are the three representative celebrities which our travelers think they must visit if they would see the life of England's ages from the best standpoints. And this is the order in which they rank them. Chatsworth and Haddon Hall should be seen the same day if possible; so that you may carry the impression of the one fresh and active into the other. They are the two most representative buildings in the kingdom. Haddon is old English feudalism edificed. It represents the rough grandeur, hospitality, wassail and rude romance of the English nobility five hundred years ago. It was all in its glory about the time when Thomas-

Molly was still half asleep, thinking of the orchard at Chatsworth and of what Professor Green's bungalow would look like among the apple trees. Her thoughts came back to the ship with a bounce when she heard the woman say: "Tom, why do you avoid me? Can't you let bygones be bygones?" "That is exactly what I am doing, Mrs. Huntington: letting bygones be bygones.

His pupils were Samuel Watson, a Derbyshire man, who did much of the carved work at Chatsworth, Drevot of Brussels, and Lawreans of Mechlin. Gibbons and his pupils founded a school of carving in England which has been continued by tradition to the present day.