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Updated: May 17, 2025
Exquisite for the homely natural sentiment, and the depth of the colour and chiaro-oscuro. Many who read these pages will remember the pretty little picture by Annibale Caracci, known as "le Raboteur." It represents Joseph planing a board, while Jesus, a lovely boy about six or seven years old, stands by, watching the progress of his work. Mary is seated on one side plying her needle.
His taste preserves him from any great extravagances; and among much tedious rhetoric and cumbrous mythology, there is enough of imagination and pathos to make the poem interesting and even charming. At a time when Guercino and the Caracci were counted great masters in the sister art, the Thebaid was also held to be a masterpiece.
"When I saw this picture at Venice in 1761, it was then in the same state of purity as when the Bologna artists saw and studied it; and it is recorded that Caracci declared this picture to be without fault. But we have to lament the fatal effects which the goddess Bellona has ever occasioned to the fine arts when she mounts her iron chariot of destruction.
This institution is upwards of three hundred years standing. Raffaelle, the Caracci, Poussin, Guido, Titian, and every great master that we esteem, were members. I had the high gratification to see my name enrolled in the list of these illustrious characters.
It was this which caused Annibal Caracci to remark, on seeing for the first time a picture by Caravaggio, that he thought a style totally opposite might be made very captivating; and the hint, it is said, sunk deep into and was not lost on Guido, who soon after realized what his master had thus imagined. Perhaps no one ever caught more from others than Raffaelle.
Domenico Veniziano was brutally assaulted by Andrea del Castagno; Annibale Caracci, Cesari, and Guido were driven from Naples, and their lives threatened by Belisario, Spagnoletto, and Caracciolo. 'In his visits, said the poor sick man bitterly, 'there is more joy at my approaching death than true sympathy with my sorrows.
"Bellisario, in order to maintain himself in his assumed authority, endeavored to exclude all strangers who painted in fresco rather than in oil. Annibale Caracci arrived there in 1609, and was engaged to ornament the churches of Spirito Santo and Gesu Nuovo, for which, as a specimen of his style, he painted a small picture.
Several great artists formed such a marked era in their schools, that their names and those of their schools are often used synonymously by many writers; thus, when they speak of the Roman school, they mean that of Raffaelle; of the Florentine, that of Michael Angelo; of Parma or Lombardy, that of Correggio; of Bologna, that of the Caracci; but not so of the Venetian and Neapolitan schools, because the Venetian school produced several splendid colorists, and that of Naples as many, distinguished by other peculiarities.
§ XXXVII. Instant degradation followed in every direction, a flood of folly and hypocrisy. Mythologies ill understood at first, then perverted into feeble sensualities, take the place of the representations of Christian subjects, which had become blasphemous under the treatment of men like the Caracci.
There is also one exquisite picture, by Annibale Caracci, if I recollect rightly, in which the blessed babe is lying asleep, and the blessed Virgin signs to St John, pressing forward to adore him, not to awaken his sleeping Lord and God.
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