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"Yes, those of us who believe, who still hold the immortal things sacred, have a great trust vested in us. It is for us, the few still faithful, to keep the lustral fires pure from defilement by the unbelievers. What would the great draughtsmen of old, the great true colorists among the masters, say if we should betray them to the wild, criminal vagaries of these falsest of false prophets?"

It was our pretty pastel artist whose wonderful locks disturbed all the daubers in the museum, and which made colorists out of Signol's pupils themselves. Maurice approached the copyist, and then both exclaimed at once: "Mademoiselle Maria!" "Monsieur Maurice!" She had recognized him so quickly and with such a charming smile, she had not, then, forgotten him?

In her representations of contemporary Virginia she long stood with the local colorists, practising with more grace than strength what has come to seem an older style; in her heroic records of the Virginia of the Civil War and Reconstruction she frequently fell into the orthodox monotone of the historical romancers.

But Diaz has a larger sweep, a saner method. He is never eccentric, and he has a dignity that is Iberian, though he is French rather than Spanish on his æsthetic side, and at times is as conservative as Rousseau without, however, reaching Rousseau's lofty simplicity except in an occasional happy stroke. Both he and Dupré are primarily colorists. Dupré sees nature through a prism.

Then the illusion is lost in the next turn of the reel. Perhaps it would be a sound observance to confine this form of motion picture to a half reel or quarter reel, just as the Imagist poem is generally a half or quarter page. A series of them could fill a special evening. The Imagists are colorists. Some people do not consider that photographic black, white, and gray are color.

I can find no exacter epithet, on the whole, for Dalou's large distinction, and conscious yet sober freedom, than the word Venetian. There is some subtle phrenotype that associates him with the great colorists. His work is, in fact, full of color, if one may trench on the jargon of the studios. It has the sumptuousness of Titian and Paul Veronese. Its motives are cast in the same ample mould.

To a remarkable extent the local colorists passed by the immediate problems of Americans social, theological, political, economic; nor did they frequently rise above the local to the universal. They were, in short, ordinarily provincial, without, however, the rude durability or the homely truthfulness of provincialism at its best.

Schumann, Berlioz, Saint-Saens, in fact all the modern tone colorists who have given celestial pictures, use the harp in them, purely because of the association of ideas which come to us from the Scriptures, and this association of the harp with heaven and the angels, only came about because the instrument was the most developed possessed by man at the time the sacred book was written.

His blacks have the depth and luster without unctiousness characteristic of black as the great colorists use it, and in his touches of pale refined color enlivening a black and white composition, we have the delightful effect so often given by Manet, as of a bunch of bright flowers thrown into a shadowy corner.

Hence all the Dutch painters were great colorists, Rembrandt being the first. Realism, favored by the calm and sluggish nature of the Dutch, which enables their artists to restrain their impetuosity, and further aided by the Dutch character, which aims at exactness and refuses to do things by halves, gave to the paintings of the Hollanders another distinctive trait finish.