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Updated: May 17, 2025
This was too flattering an invitation to be refused, so I obeyed the royal command and stood behind the king's chair. After the second act a ballet was given, and the dancing of Madame Caracci, a Piedmontese, so pleased his majesty that he went to the unusual pains of clapping her. I only knew the dancer by sight, for I had never spoken to her. She had some talents.
Then proceed to Bologna, and study the works of the Caracci; afterwards visit Parma, and examine, attentively, the pictures of Corregio; and then go to Venice and view the productions of Tintoretti, Titian, and Paul Veronese.
Forty years ago he had the finest hand and the clearest eye of any artist of his time, and produced heads and drawings that would not have disgraced a brighter period in the art. Whether he is since dead, I cannot say; the world do not so much as know that he ever lived! Leonardo da Vinci. Titian. Michael Angelo. Correggio. Annibal Caracci. Rubens. Raffaelle.
Examples of some of the greatest masters are here: Velasquez, Rembrandt, Rubens, Claude Lorraine, the Caracci, Bordone, Reynolds, lastly among moderns, Ingres and Hippolyte Flandrin. Much might be said about these pictures, if space permitted, but they alone are worth making the journey from Paris or Couilly to see.
True, there are numerous cases such as that of the Herschels, father and son, or the two Scaligers, or the Caracci, or the Pitts, or the Scipios, and a dozen more, where the genius, once developed, has persisted for two or three, or even four lives: but these instances really cast no light at all upon our central problem, which is just this How does the genius come in the first place to be developed at all from parents in whom individually no particular genius is ultimately to be seen?
Such was the emulation and rivalry between Zeuxis and Parrhasius, which contributed to the improvement of both; and similar thereto was that which inspired the master-minds of Michael Angelo and Raffaelle; of Titian and Pordenone; of Albert Durer and Lucas van Leyden; of Agostino and Annibale Caracci; and we may add, in our own country, of Thomas Cole and Durand.
The interior is dark and solemn, with much less gilding and meretricious ornament than is usual in Roman churches. It contains, in the side chapels, many objects of interest; frescoes and altar-pieces by Annibale Caracci, Pinturicchio, and Peruzzi; and splendid sepulchral monuments.
There was an absolute passion for picturesque grouping; and, as the assembled figures were to be as varied as possible in action and attitude, the artistic treatment, in order to prevent the lines of form and the colours of the draperies from interfering with each other, required great skill and profound study: some of these scenic groups have become, in the hands of great painters, such as Titian, Paul Veronese, and Annibale Caracci, so magnificent, that we are inclined to forgive their splendid errors.
The tradition of the masters in vogue in Italy, of the Caracci, of Guido, of Paul Veronese, had reached Paris with Simon Vouet, who had long lived at Rome.
At the same time, the Caracci made Correggio's style the object of more serious study; and the history of Bolognese painting shows what was to be derived from this master by intelligent and conscientious workmen.
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