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Updated: September 14, 2024
In Velasquez, too, there is selection, and very often it is in the same direction as Mr. Whistler's, but the selection is never, I think, so much insisted upon; and sometimes in Velasquez there is, as in the portrait of the Admiral in the National Gallery, hardly any selection I mean, of course, conscious selection. Velasquez sometimes brutally accepted Nature for what she was worth; this Mr.
The picturesque Uruj was painted by Velasquez; the other entertained a polite epistolatory correspondence with Aretino, and died, to his regret, "like a coward" in bed. I never visit Constantinople without paying my respects to that calm tomb at Beshiktah, where, after life's fitful fever, sleeps the Chief of the Sea. And so things went on till recently. K. Ph.
In point of sheer self-expression, a child's scrabblings with a box of crayons may deserve to rank with the most masterly canvas of Velasquez or Vermeer. The first step towards writing a play is manifestly to choose a theme. Even this simple statement, however, requires careful examination before we can grasp its full import.
Zurbaran's finest works are in the Museum of Seville. He left many pictures, and the Louvre claims to have ninety-two of them in its gallery. His parents were of noble families; his father was Juan Rodriguez de Silva, and his mother Geronima Velasquez, by whose name, according to the custom of Andalusia, he was called.
Whistler never does. But it was Velasquez that gave consistency and strength to what in Mr. Whistler might have run into an art of trivial but exquisite decoration. Velasquez, too, had a voice in the composition of the palette generally, so sober, so grave.
There is also something of Velasquez in the black notes of the shoes. Those blacks are they not perfectly observed? How light and dry the colour is! How heavy and shiny it would have become in other hands!
It must be remembered that he spent some time copying, at Madrid, Velasquez and Goya, and as Camille Mauclair enthusiastically declares, these copies are literal "identifications." In the history of the arts there are cases such as Fortuny's, of Mozart, Chopin, Raphael, and some others, whose precocity and prodigious powers of production astonished their contemporaries.
Señor Beruete, the Velasquez expert, truthfully says of Sorolla's method: "His canvases contain a great variety of blues and violets, balanced and juxtaposed with reds and yellows. These, and the skilful use of white, provide him with a colour scheme of great simplicity, originality, and beauty."
It is probable that before his death Columbus confided his belief in the wealth to be found in Cuba to his son Diego Columbus, for in 1511 the latter fitted out an expedition for the purpose of colonizing the island. This company consisted of about 300 men, under Diego Velasquez, who had accompanied the great explorer on his second voyage.
Of the sixty-two works by Velasquez in the Royal Gallery at Madrid, there are only four female portraits; and of these, two represent children, another an ancient matron, and a fourth his own wife!
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