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Updated: July 1, 2025
One seemed sick; he was thin, and his back was scarred with marks of the grub of the loathsome berni fly. Indeed, all of them showed scars, chiefly from insect wounds. But the other two were in good condition, and, although they ate greedily of the food offered them, they had with them a big mandioc cake, some honey, and a little fish.
The worst is that no one will imagine anything sublime in a superior donkey, so my simile is unfair and false. Is it not strange? I love Wordsworth best, and yet Byron has the greater power over me. How is that?" The letter pursued: "I have finished Boiardo and have taken up Berni. The latter offends me. I suppose we women do not really care for humour.
The loathsome berni flies, which deposit eggs in living beings cattle, dogs, monkeys, rodents, men had been at it. There were seven huge, white grubs making big abscess-like swellings over its eyes. These flies deposit their grubs in men.
Circumstances already hampered him enough, and Michelangelo, who chose to remain his own master, refused. As Berni wrote: "Voleva far da se, non comandato." As an alternative, a pension was suggested. It appears that he only asked for fifteen ducats a month, and that his friend Pietro Gondi had proposed twenty-five ducats.
It is written in tragicomic style. This epistle is to be found in Opere burlesche del Berni, Aretino ed altri, vol. ii. p. 258, apparently published in Utrecht in 1771. The nature of our intellect is such that ideas are said to spring by abstraction from observations, so that the latter are in existence before the former.
In this circle were to be found, among others, Bernardo Bibbiena, the patron of Berni, of whom Raphael has left us a portrait which is now in the Pitti Palace; Giuliano de' Medici, whose marble statue by Michael Angelo may still be seen in San Lorenzo at Florence; Cardinal Pietro Bembo, who had in his youth fallen a victim to the charms of Lucrezia Borgia when she first went to Ferrara; Emilia Pia, the wife of Antonio da Montefeltro, who is described as "a lady of so lively wit and judgment, that she seems to govern the whole company"; and last, but far from least, Baldassare Castiglione, that model courtier and fine wit, who has left a picture of Urbino in his celebrated book Il Cortegiano, which was long known in Italy as Il Libro d'Oro.
In the same manner Berni travestied the courtly pastoral of vernacular writers in his realistic pictures of village love. But though the satirist might find ample scope for his wit in anatomizing the foible of the day, fashionable society continued none the less to encourage the exquisite inanity, and to be flattered by the elegant obscurity, of the allegorical pastoral.
Lastly, the singular and indignant strength of his execution often makes up for the trustingness that he was sorry to miss. If I were asked, in short, which of the two poems I should prefer keeping, were I compelled to choose, I should first complain of being forced upon so hard an alternative, and then, with many a look after Berni, retain Boiardo.
We have already said that, though rich in extracts from the Latin poets, it contains scarcely any references to the Latin orators and historians. We must add that it contains little, or rather no information, respecting the history and literature of modern Italy. To the best of our remembrance, Addison does not mention Dante, Petrarch, Boccaccio, Boiardo, Berni, Lorenzo de' Medici, or Machiavelli.
The metre of 'Don Juan, first practised by Frere and then adopted by Lord Byron, is Pulci's octave stanza; the manner is that of Berni, Folengo, and the Abbé Casti, fused and heightened by the brilliance of Byron's genius into a new form. The subject of Shelley's strongest work of art is Beatrice Cenci. Rogers's poem is styled 'Italy. Byron's dramas are chiefly Italian.
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