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When Cardinal Albornoz was governor of Romagna some sixty years later, the statue was accidentally dug up and then shown to the people, probably by the order of the Cardinal, that it might be known by what means the cruel Montefeltro had defended himself against the Roman Church.

"Is it you who speak of daring you, the niece of Guidobaldo da Montefeltro, a lady of the noble and illustrious house of Rovere, who cast yourself into the arms of a low-born vassal such as that, a masnadiero, a bandit, a bravo? And can you yet speak of daring, and take that tone with me, when shame should strike you either dead or dumb?"

S. Zenobius Piero della Francesca Federigo da Montefeltro Melozzo da Forli The Tribuna Raphael Re-arrangement The gems The self-painted portraits A northern room Hugo van der Goes Tommaso Portinari The sympathetic Memling Rubens riotous Vittoria della Rovere Baroccio Honthorst Giovanni the indiscreet The Medusa Medici miniatures Hercules Seghers The Sala di Niobe Beautiful antiques.

We are now in the true Feltrian highlands, whence the Counts of Montefeltro issued in the twelfth century. Yonder eyrie is San Leo, which formed the key of entrance to the duchy of Urbino in campaigns fought many hundred years ago. Perched on the crest of a precipitous rock, this fortress looks as though it might defy all enemies but famine.

Thus was the traitor betrayed by the traitor.... In the said year 1288, in the said month of March ... the Pisans chose for their captain Count Guido of Montefeltro, giving him wide jurisdiction and lordship; and he passed the boundaries of Piedmont, within which he was confined by his terms of surrender to the Church, and came to Pisa; for which thing he and his sons and family and all the commonwealth of Pisa were excommunicated by the Church of Rome, as rebels and enemies against Holy Church.

Ghiberto da Correggio, Battista Pallavicíni, Taddeo Manfredi of Faenza, Gabbriello da Cremona, Francesco da Castiglione, Niccolo Perrotti, together with the Count of Montefeltro, lived in Vittorino's house, associating with the poorer students whom the benevolent philosopher instructed for the love of learning.

Consequently, when he arrived on the frontiers of Perugia, which belonged to his lieutenant, Gian Paolo Baglioni, he sent Oliverotta da Fermo and Orsini of Gravina to lay waste the March of Camerino, at the same time petitioning Guido d'Ubaldo di Montefeltro, Duke of Urbino, to lend his soldiers and artillery to help him in this enterprise.

He brings together the Duchess Elizabetta Gonzaga; Emilia Pia, wife of Antonio da Montefeltro, whose wit is as keen and active as that of Shakespeare's Beatrice; Pietro Bembo, the Ciceronian dictator of letters in the sixteenth century; Bernardo Bibbiena, Berni's patron, the author of 'Calandra, whose portrait by Raphael in the Pitti enables us to estimate his innate love of humor; Giuliano de' Medici, Duke of Nemours, of whom the marble effigy by Michael Angelo still guards the tomb in San Lorenzo; together with other knights and gentlemen less known to fame two Genoese Fregosi, Gasparo Pallavicini, Lodovico, Count of Canossa, Cesare Gonzaga, l' Unico Aretino, and Fra Serafino the humorist.

On the contrary, the only letters extant which he sent to her, two in number, belong to the year 1545. It is certain that anything like friendship between them grew up at some considerable time after his final settlement in Rome. Vittoria was the daughter of Fabrizio Colonna, Grand Constable of Naples, by his marriage with Agnesina di Montefeltro, daughter of Federigo, Duke of Urbino.

The Duke of Urbino here depicted is Federigo da Montefeltro, who ruled from 1444 to 1482, and in 1459 married as his second wife a daughter of Alessandro Sforza, of Pesaro, the wedding being the occasion of Piero's pictures. The duke stands out among the many Italian lords of that time as a humane and beneficent ruler and collector, and eager to administer well.