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Updated: June 10, 2025
The picture becomes different if we apply to the aural experience Goethe's theorem that, in so far as we are deluded, it is not by our senses but by our own reasoning. For we then realize that sounds never occur of themselves without some tone-colour, whilst physically 'pure' tones those that represent simple harmonic motions exist only as an artificial laboratory product.
What kind of music is this, without melody, in the ordinary sense; without themes, yet every acorn of a phrase contrapuntally developed by an adept; without a harmony that does not smite the ears, lacerate, figuratively speaking, the ear-drums; keys forced into hateful marriage that are miles asunder, or else too closely related for aural matrimony; no form, that is, in the scholastic formal sense, and rhythms that are so persistently varied as to become monotonous what kind of music, I repeat, is this that can paint a "crystal sigh," the blackness of prehistoric night, the abysm of a morbid soul, the man in the moon, the faint sweet odours of an impossible fairy-land, and the strut of the dandy from Bergamo?
A faint far-away rumble sounded as the rolling of a waggon so faint that it might almost be an aural delusion. But the girl's hands were at her ears, and her face was one white wide-eyed mask of terror. The nurse threw her arms round her. "My dear," she said, "you are not yourself. That is nothing but a little heat-thunder. Sit down quietly."
Next, to their aural orifices, and the avenues audient of the brain, was borne a very melancholy sound as of harmoniums, hymns, organ-pianos, psalteries, and the like, all playing different airs, in a kind most hateful to the Muses.
It took another month to find out exactly how the stuff affected the human nervous system, and they almost wrecked their own nervous systems in the process. The real villain, they discovered, was the incredible-looking long-chain compound alluded to in the original notes as Ingredient Beta; its principal physiological effect was to greatly increase the sensitivity of the aural nerves.
Doubts and disturbances of last night melted in daylight to an almost ludicrous nothingness and self-confidence reigned; so that he declared the world a super-excellent place, snapping his fingers at problems and mysteries. A spark of curiosity pricked him still, it is true, concerning the origin of certain undeniably queer aural phenomena.
Now, the sense through which our soul penetrates with direct experience into some outer rhythmic activity is the sense of hearing, our aural perceptions being conveyed by certain rhythmic movements of the air.
The patient, a harness-maker of forty-seven, was affected generally over the body, but particularly in the face, hands, and feet. The conjunctival, nasal, and aural mucosa were all involved. The skin felt warm, and pressure did not influence the discoloration. The pains complained of were of an intermittent, burning, shooting character, chiefly in the epigastric and left lumbar regions.
There is only this difference: in the first instance the vibrations of the sound-producing organs have their origin in the activity of the astral part of the living being, and it is this activity which comes to the recipient's direct experience in the form of aural impressions; in the second instance the air, by being brought externally into a state of vibration, exerts a kind of suction on the astral realm which pervades the air, with the result that parts of this realm become physically audible.
This is best done at bedtime. If this treatment be pursued carefully, the ears should soon come right. Ears, Singing in the. Partial deafness is often accompanied by noises in the ear, which are very annoying. This is caused by the internal state of the ear, and is often due especially to the state of the aural nerve.
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