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Updated: June 17, 2025
It seemed to Evgenie Pavlovitch that there was not yet perfect harmony between Adelaida and her fiance, but he thought that in time the impulsive young girl would let herself be guided by his reason and experience. Besides, the recent events that had befallen her family had given Adelaida much to think about, especially the sad experiences of her younger sister.
Passing over "Armida," written for the opening of the new San Carlo at Naples, "Adelaida di Borgogna," for the Roman Carnival of 1817, and "Adina," for a Lisbon theatre, we come to a work which is one of Rossini's most solid claims on musical immortality, "Mosé in Egitto," first produced at the San Carlo, Naples, in 1818.
Fyodor Pavlovitch’s first wife, Adelaïda Ivanovna, belonged to a fairly rich and distinguished noble family, also landowners in our district, the Miüsovs.
He sat down, believing himself alone.... 'Softly, softly, mocked his whisper to himself, and he touched alone the whispering reeds, Adelaïda held her breath, and chid the beating of her heart, which seemed louder than the mellow pulse that throbbed in tune above.
"Oh, of course, mamma, if we needn't stand on ceremony with him, we must give the poor fellow something to eat after his journey; especially as he has not the least idea where to go to," said Alexandra, the eldest of the girls. "Besides, he's quite a child; we can entertain him with a little hide-and-seek, in case of need," said Adelaida. "Hide-and-seek? What do you mean?" inquired Mrs. Epanchin.
He says that Enrico Persevalli has for his mistress Carina, the servant in Ghosts: that the thin, gentle, old-looking king in Hamlet is the husband of Adelaida, and Carina is their daughter: that the old, sharp, fat little body of a queen is Adelaida's mother: that they all like Enrico Persevalli, because he is a very clever man: but that the 'Comic', Il Brillante, Francesco, is unsatisfied.
Ivan Fedorovitch held out his hand to Muishkin, but ran after his wife, who was leaving with every sign of violent indignation, before he had time to shake it. Adelaida, her fiance, and Alexandra, said good-bye to their host with sincere friendliness. Evgenie Pavlovitch did the same, and he alone seemed in good spirits. "What I expected has happened!
About the time that he was suffering keenly with the knowledge of his fast-growing infirmity, he was bound by a strong tie of affection to Countess Giulietta Guicciardi, his "immortal beloved," "his angel," "his all," "his life," as he called her in a variety of passionate utterances. It was to her that he dedicated his song "Adelaida," which as an expression of lofty passion is world-famous.
They love to chaff, but they like you. I can see it in their faces I know their faces." "I know their faces, too," said the prince, with a peculiar stress on the words. "How so?" asked Adelaida, with curiosity. "What do YOU know about our faces?" exclaimed the other two, in chorus. But the prince was silent and serious. All awaited his reply. "I'll tell you afterwards," he said quietly.
At length Adelaida burst out laughing, apologized, and explained that they had come incognito; from which, and from the circumstance that they said nothing about the prince's either walking back with them or coming to see them later on, the latter inferred that he was in Mrs. Epanchin's black books.
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