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At the request of Sir Richard Bellings, Secretary to the Supreme Council, Innocent X. consented to send Giovanni Battista Rinuccini as his representative to Ireland . The latter landed at Kenmare in October, and proceeded almost immediately to Kilkenny.
Young women were much given to curling their hair, and at the same time it was the fashion to wear upon the forehead a cluster of blond curls, a petite perruque, which, in the words of an old chronicler, Rinuccini, "is very unbecoming to those whose hair happens to be of another color."
The first is the altar-piece in the Rinuccini Chapel in the church of the Santa Croco of Florence. It is necessary to premise that the chapel was founded in honour of the Virgin and Mary Magdalene; while the church is dedicated to the Holy Cross, and belongs to the Franciscans.
It is evident that the conduct of Rinuccini in breaking the first peace was not only reprehensible in itself, but productive of the most calamitous consequences both to the cause of royalty and the civil and religious interests of the Irish Catholics. The following is the ground on which he attempts to justify himself.
On the next day, the 13th, the new Papal Nuncio, a prelate who, by his rank, his eloquence, and his imprudence, was destined to exercise a powerful influence on the Catholic councils, made his public entry into that city. This personage was John Baptist Rinuccini, Archbishop of Fermo, in the Marches of Ancona, which see he had preferred to the more exalted dignity of Florence.
As an experiment, they prepared a small work called "Dafne" for private presentation at the palace of the Corsi. Rinuccini was the first of a long and usually incompetent lineage of librettists. The music was written by Peri and Caccini.
Behind this grating is the Rinuccini chapel, painted in fresco by a pupil of Taddeo Gaddi, Giovanni da Milano, in whose work we may discern, in spite of the rigid convention of his master, something sincere, a lightness and grace and even perhaps a certain reliance on Nature, which the authority of Giotto had spoiled for Taddeo himself. It is the stories of the Blessed Virgin and of St.
His late sworn colleague, Preston, was now combined with Inchiquin against him; the royalist Clanrickarde, in the western counties, pressed upon his rear, and captured his garrison in Athlone; the Parliamentary general, Michael Jones, to whom Ormond had finally surrendered Dublin, observed rather than impeded his movements in Leinster; the lay majority of the Supreme Council proclaimed him a traitor a compliment which he fully returned; the Nuncio threw himself wholly into his hands; finally, at the close of '48, Ormond, returning from France to Ireland, concluded, on the 17th of January, a formal alliance with the lay members, under the title of "Commissioners of Trust," for the King and Kingdom; and Rinuccini, despairing, perhaps, of a cause so distracted, sailed in his own frigate, from Galway, on the 23rd of February.
Music, rising into excellence and importance at a time when poetry was on the decline, acquired such superiority that verse, instead of being its mistress, became its handmaid. The first occasion of this inversion was in the year 1594, when Rinuccini, a Florentine poet, associated himself with three musicians to compose a mythological drama.
She saw her son just before he left, as she thought, for America, and then retired to the Rinuccini now the Bonaparte-Palace at Rome, where she died in 1836. She had been anxious to join Napoleon at St. Helena, and had refused, as long as Napoleon was alive, to forgive her daughter Caroline, the wife of Murat, for her abandonment of her brother. She was buried at Albano.
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