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You mind how we used to go out and set there, after milkin', and watch the sun go down, and talk about where their angels was, and try to figger it out?" "I remember, 'Liz'beth." The man's voice in the drawing-room sang a snatch of French song, insolent, mocking, salient; and then Christine's attempted the same strain, and another cry of laughter from Mela followed.

"You don't mean to tell me you're 'Liz'beth Baxter's gal Elsie! Well! Well! I want to know! If this don't beat all! Set down! Take your things right off. I'm mighty glad to see you." Captain Eri's hand, with Miss Preston's hidden in it, was moving up and down as if it worked by a clock-work arrangement.

She'd be'n runnin' dis house like clockwo'k befo' you come, an' I likes her ways. My dear, dead 'Liz'beth sot a heap er sto' by Julia, an' I'm gwine ter keep her here fer 'Liz'beth's sake. "Mis' Polly's eyes flash' fire. "'Ah, says she, I see I see! You perfers her housekeepin' ter mine, indeed! Dat is a fine way ter talk ter a lady!

I couldn't help but sell the farm, and we can't go back to it, for it ain't there. So don't you say anything more about it, 'Liz'beth." "Pore Jacob!" said his wife. "Well, I woon't, dear." It was clear to Beaton that Dryfoos distrusted him; and the fact heightened his pleasure in Christine's liking for him.

It keeps acomun' and agoun'; and it's so and it ain't so, all at once; that's the plague of it. Well, father! Ain't you goun' to come?" "I'm goin' to stay, Mela," said the old man, gently, without moving. "Get your mother to bed, that's a good girl." "You goin' to set up with him, Jacob?" asked the old woman. "Yes, 'Liz'beth, I'll set up. You go to bed." "Well, I will, Jacob.

A peal of laughter came from the drawing-room, and then the sound of chords struck on the piano. "Hush! Don't you cry, 'Liz'beth!" said Dryfoos. "Here; take my handkerchief. I've got a nice lot in the cemetery, and I'm goin' to have a monument, with two lambs on it like the one you always liked so much.

"Well, I always did expect to lay there. But I reckon it's all right. It won't be a great while, now, anyway. Jacob, I don't believe I'm a-goin' to live very long. I know it don't agree with me here." "Oh, I guess it does, 'Liz'beth. You're just a little pulled down with the weather. It's coming spring, and you feel it; but the doctor says you're all right.

You mind how we used to go out and set there, after milkin', and watch the sun go down, and talk about where their angels was, and try to figger it out?" "I remember, 'Liz'beth." The man's voice in the drawing-room sang a snatch of French song, insolent, mocking, salient; and then Christine's attempted the same strain, and another cry of laughter from Mela followed.

I couldn't help but sell the farm, and we can't go back to it, for it ain't there. So don't you say anything more about it, 'Liz'beth." "Pore Jacob!" said his wife. "Well, I woon't, dear." It was clear to Beaton that Dryfoos distrusted him; and the fact heightened his pleasure in Christine's liking for him.

He can't be a Father, he says, because he can't git the eddication now; but he can be a Brother; and I can't find a word to say ag'inst it, when it gits to talkin', Jacob." "I ain't saying anything against his priests, 'Liz'beth," said Dryfoos. "They're all well enough in their way; they've given up their lives to it, and it's a matter of business with them, like any other.