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Updated: June 11, 2025
It keeps acomun' and agoun'; and it's so and it ain't so, all at once; that's the plague of it. Well, father! Ain't you goun' to come?" "I'm goin' to stay, Mela," said the old man, gently, without moving. "Get your mother to bed, that's a good girl." "You goin' to set up with him, Jacob?" asked the old woman. "Yes, 'Liz'beth, I'll set up. You go to bed." "Well, I will, Jacob.
A peal of laughter came from the drawing-room, and then the sound of chords struck on the piano. "Hush! Don't you cry, 'Liz'beth!" said Dryfoos. "Here; take my handkerchief. I've got a nice lot in the cemetery, and I'm goin' to have a monument, with two lambs on it like the one you always liked so much.
He can't be a Father, he says, because he can't git the eddication now; but he can be a Brother; and I can't find a word to say ag'inst it, when it gits to talkin', Jacob." "I ain't saying anything against his priests, 'Liz'beth," said Dryfoos. "They're all well enough in their way; they've given up their lives to it, and it's a matter of business with them, like any other.
A peal of laughter came from the drawing-room, and then the sound of chords struck on the piano. "Hush! Don't you cry, 'Liz'beth!" said Dryfoos. "Here; take my handkerchief. I've got a nice lot in the cemetery, and I'm goin' to have a monument, with two lambs on it like the one you always liked so much.
It keeps acomun' and agoun'; and it's so and it ain't so, all at once; that's the plague of it. Well, father! Ain't you goun' to come?" "I'm goin' to stay, Mela," said the old man, gently, without moving. "Get your mother to bed, that's a good girl." "You goin' to set up with him, Jacob?" asked the old woman. "Yes, 'Liz'beth, I'll set up. You go to bed." "Well, I will, Jacob.
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