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In the first page of his book he speaks of humor as "a branch" of satire; in the second he identifies French satire as the "esprit gaulois;" in the third he tells us that "the French type for satire and humor has preserved one uniform character from generation to generation;" and in his last page he claims superiority for the French over the English humorists, on the ground that "Rabelais has a finer wit than Swift," that "we have no political satire so good as the Satyre Mènipée," "no English humor comparable for a moment with that of the fabliaux," "no letter-writer like Voiture," "no teller of tales like La Fontaine," and "no chansonnier like Béranger."
The brave old man, riding about in the heat of the action, on this sultry day, "with a hanger belted across his brawny shoulders, over a waistcoat without sleeves," has been sneered at by a contemporary, as "much fitter to head a band of sickle men or ditchers than musketeers." But this very description illustrates his character, and identifies him with the times and the service.
The health of a people consists in that people's real unity, the organic life by which each section contributes freely and generously to the welfare of the whole, identifies itself with that welfare, and holds it a dishonour to snatch for itself the life which should belong to all.
"I think there are hundreds of men in my mill who think that they ought to have my motor-car and three or four rooms in this house." "Are they the most efficient ones?" "No." If a man gives over to other people his deepest motives, and if he really identifies himself the very inside of himself with them and treats their interests as his interests, the more money he has, the more people like it.
This is put last because so often they are absent, and so often unknown, the sign of some ancient weaver lost in the mists of years, although a well-known mark so instantly identifies, that study of other details is secondary. But under these three generalising heads comes all the knowledge of the savant, for the truth about tapestries is most elusive.
The new babies as they arrive in the family are shown a selection of small articles belonging to deceased members whose souls are still absent; the thing the child catches hold of identifies him. "Why he's Uncle John, see! he knows his own pipe;" or "That's cousin Emma, see! she knows her market calabash," and so on.
Gill considers that these crucibles mean Christ and his ministers; while Bunyan, with his enlarged mind, identifies them with the whole of Christ's followers. Some of these crucibles prove not to be genuine, and perish in the using, not being able to abide the fire. Such was the case with one of Mr. Bunyan's friends.
The one made later by his partner, Alfred Vail, the real author of all the workable features of the Morse telegraph, and of every feature which identifies it with the telegraph of the present, was a rectangular wooden box divided into eight compartments, and coated inside with beeswax so that it might resist the action of acids.
He laid hand on Danton's shoulder, saying: "No, Danton you endanger your own life!" "What if I do? She must be saved." As we see him pass into the Tribunal, let us stop for a moment and watch the procedure in the death chamber. Outside, the tumbrils of death clatter up to receive their load. A functionary calls the names of the condemned whilst a court officer identifies them.
Living matter, he tells us, is urged by two impulses: a centripetal, which tends to preserve and transmit the specific form, and which he identifies with heredity; and a centrifugal, which results from the tendency of external conditions to modify the organism and effect its adaptation to themselves.
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