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Updated: June 29, 2025
How did thine eyes peruse him round and round And hardly knew him in his yellow coats, Red leathern belt, and gown of russet blue. I was a poor friendless boy. Here Lamb speaks as Coleridge, who came all the way from Ottery St. In John Woodvil Lamb borrowed St. Coleridge has recorded how unhappy he was in his early days at school. Whole-day-leaves.
Church bells seem always to have had an attraction for him: he has a pretty reference to them in John Woodvil, and a little poem in Blank Verse, 1798, entitled "The Sabbath Bells." X. Arabella Hardy. "The Sea Voyage." By Charles Lamb. Nothing else that Lamb wrote is quite so far from the ordinary run of his thoughts; and nothing has, I think, more charm.
Even in what he says casually there comes an aroma of old English; noticeable echoes, in chance turn and phrase, of the great masters of style, the old masters. Godwin, seeing in quotation a passage from John Woodvil, takes it for a choice fragment of an old dramatist, and goes to Lamb to assist him in finding the author.
Has been guilty of obtruding upon the public a tale in prose, called 'Rosamund Gray, a dramatic sketch, named 'John Woodvil, a 'Farewell Ode to Tobacco, with sundry other poems, and light prose matter, collected in two slight crown octavos, and pompously christened his works, though in fact they were his recreations, and his true works may be found on the shelves of Leadenhall Street, filling some hundred folios.
IV.; and his "John Woodvil," Vol. "I saw the skirts of the departing Year." From Coleridge's "Ode to the Departing Year," as printed in 1796 and 1797. Lamb was greatly taken by this line. The idea of the 'skirts of the departing year, seen far onwards, waving in the wind, is one of those noble Hints at which the Reader's imagination is apt to kindle into grand conceptions."
This ballad, written in gentle ridicule of Lamb's affection for the Blakesware portrait, and Mary Lamb's first known poem, was printed in the John Woodvil volume, 1802, and in the Works, 1818. London Magazine, May, 1823. A pound of sweet. After these words, in the London Magazine, came one more descriptive clause "the bore par excellence."
When you write to Lloyd, he wishes his Jacobin correspondents to address him as Mr. C. L. Love and respects to Edith. I hope she is well. Yours sincerely, This quaint scholar, a marvel of simplicity and universal optimism, is a constantly recurring and delightfully humorous character in the Letters. Lamb and Dyer had been schoolfellows at Christ's Hospital. John Woodvil.
Now you cannot get tea before that hour, and then sit gaping, music bothered perhaps, till half-past twelve brings up the tray; and what you steal of convivial enjoyment after, is heavily paid for in the disquiet of to-morrow's head. I am pleased with your liking "John Woodvil," and amused with your knowledge of our drama being confined to Shakspeare and Miss Baillie.
Lamb told Coleridge, in a letter upon his aunt's death, "she was to me the 'cherisher of infancy." In the Elia essay on "Witches" no mention is made of Glanvil; but there is a passage in the unpublished version of John Woodvil which mentions both it and Stackhouse:
Of Lamb's John Woodvil and Godwin's Antonio mention has been made. Byron's tragedies are indeed by no means the worst part of his work; but they also shared the defects of that work as poetry, and they were not eminently distinguished for acting qualities.
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