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"No disturbance would be countenanced by the management of the hotel," and he shook his head. "We will keep him away from you, Miss Fielding." "Thank you," said Ruth, and followed her friends into the elevator. She felt that they were free of Dakota Joe until morning at least She assured Wonota that she need not worry. "That bad man may hurt you. I am not afraid," declared the Indian girl.
She did not want anything like that in her picture. It was all "old stuff," and the crying need of the film producer is "something new under the sun." Yet there was color and action in much of the afternoon's performance. Even Dakota Joe himself as the figure of a villain, for instance was not to be scorned. And Princess Wonota herself
She even was aware that two men in it were not dressed like ordinary city men. They had broad-brimmed hats on their heads. But she really gave the car but a momentary glance. Wonota took up her closest attention. The Indian girl crossed and recrossed the field of the camera until she satisfied the director that her gait and facial expression was exactly what he wanted.
Ruth descended to the canoe and waited until they were well away from the island before she said a word to the other girls about the queer old man. "I told you there were pirates there," Helen declared that evening, when she and Ruth were in the room they shared together. Wonota slept in a room adjoining and had already retired.
"How can I play that I am in love when I have never seen a man I cared for in that way?" "Can't you imagine admiring a nice young man?" asked Ruth in return. "Not a white man like this one in your story," Wonota said soberly. "It should be that he did more for himself that he was more of a a brave. We Indians do not expect our men to be saved from disgrace by women.
The few real Indians, besides Wonota and Totantora, in the company, and all those "extras" who were dressed as aborigines, got into their costumes before breakfast. Soon after eight o'clock the company got away in barges, with launches to tow them through the quiet waterways.
Below, Wonota, as the heroine, was to run into the camera field at a certain point in the struggle of the two men on the lip of rock. To time the Indian girl's entrance was no small task. But at last the characters seemed to be about letter perfect. "Look out now! We're going to shoot it!" shouted Jim Hooley through his megaphone. "Miss Fielding! Keep your eye on Onehorse.
She could look down upon Helen and Wonota, and they looked up and called to her. "Look out for the pirates!" shouted Helen, with laughter. Ruth waved her hand, smiling, and, crossing the rock, parted the brush and stepped out of sight of her friends. Two steps she took through the clinging bushes when a most surprising figure started up before her.
'Brighteyes' appeared for two successive weeks in one of the big Broadway picture houses and we are making a lot of money out of its distribution. "But we know Wonota is a find for another very unmistakable reason," she added. "What is that?" asked Helen. "Other producers have begun to make Wonota and her father offers. For Chief Totantora has become interested in the movie business too. Mr.
It was for but a moment, but I saw him," said the Indian girl positively. "Even at that, it would take corroborative testimony to convince the court," mused Ruth. "I do not understand paleface laws," said Wonota, shaking her head. "If an Indian does something like that to another Indian, the injured one can punish his enemy. And he almost always does."
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